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Everyday Life as Critique in Late Colonial Korea: Kim Namch'ŏn's Literary Experiments, 1934–43

Published online by Cambridge University Press:  19 August 2009

Sunyoung Park
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Abstract

Perhaps the most renowned leftist writer of late colonial Korea, Kim Namch'ŏn left a complex body of work that has so far defied an encompassing interpretation. On the one hand, in his theoretical writings, Kim consistently advocated realism as his aesthetic principle. On the other hand, within his fictional writings, Kim also displayed an antithetical interest in the fragmentary scenes of modern life, which he often depicted through experimental techniques of a modernist aesthetic sensibility. In this essay, an attempt is made to provide a unified account of Kim's works. Special attention is given to Kim's early theorization of the everyday as a proper literary space for a materialist critique of society. This focus on everyday life, it is argued, enabled Kim to critique both the teleological outlook of dogmatic socialism and the utopian vision of pan-Asianism, but it did not shelter him from a fascination with the daily spectacles of urban modernity.

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Research Article
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The Journal of Asian Studies , Volume 68 , Issue 3 , August 2009 , pp. 861 - 893
Copyright
Copyright © The Association for Asian Studies, Inc. 2009

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