Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-17T21:27:49.685Z Has data issue: false hasContentIssue false
  • English
  • Français

Art and Engagement in Early Postwar Japan. By Justin Jesty. Ithaca, N.Y.: Cornell University Press, 2018. x, 326 pp. ISBN: 9781501715044 (cloth).

Review products

Art and Engagement in Early Postwar Japan. By Justin Jesty. Ithaca, N.Y.: Cornell University Press, 2018. x, 326 pp. ISBN: 9781501715044 (cloth).

Published online by Cambridge University Press:  25 February 2021

Aya Louisa McDonald
Aya Louisa McDonald*
Affiliation:
University of Nevada, Las Vegas
*
[email protected]
Get access

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews—Northeast Asia
Information
The Journal of Asian Studies , Volume 80 , Issue 1 , February 2021 , pp. 196 - 199
Check for updates
Copyright
Copyright © The Association for Asian Studies, Inc. 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Art and Engagement received the Association for the Study of the Arts of the Present 2019 book prize; see https://www.artsofthepresent.org/2019/10/31/winner-of-the-asap-2019-book-prize/ (accessed December 18, 2020).

2 Including, but not limited to, Munroe, Alexandra, ed., Japanese Art after 1945: Scream against the Sky (New York: Abrams, 1994)Google Scholar; Tiampo, Ming, Gutai: Decentering Modernism (Chicago: University of Chicago Press, 2010)Google Scholar; the textual anthology by Chong, Doryun, Hayashi, Michio, Sumitomo, Fumihiko, and Kajiya, Kenji, eds., From Postwar to Postmodern, Art in Japan, 1945–1989 (Durham, N.C.: Duke University Press, 2012)Google Scholar; Munroe, Alexandra and Tiampo, Ming, eds., Gutai: Splendid Playgroun (New York: Guggenheim Museum, 2013)Google Scholar; Tomii, Reiko, Radicalism in the Wilderness (Cambridge, Mass.: MIT Press, 2016)Google Scholar.

3 Further articulated in the epilogue: “Hope in the Past and the Future,” pp. 256–68.

4 Linda Hoaglund, “Protest Art in 1950s Japan: The Forgotten Reportage Painters,” MIT Visualizing Cultures, https://visualizingcultures.mit.edu/protest_art_50s_japan/anp1_essay01.html (accessed December 18, 2020); Winther-Tamaki, Bert, Maximum Embodiment: Yōga, the Western Painting of Japan, 1912–1955 (Honolulu: University of Hawai‘i Press, 2012)Google Scholar.

5 E o kaku kodomotachi: jidōga o rikai suru tame ni, 38 minutes, black and white, https://www.imdb.com/title/tt0049068/?ref_=nm_flmg_dr_22.