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Leigh H. Edwards, Johnny Cash and the Paradox of American Identity (Bloomington: Indiana University Press, 2009, $19.95). Pp. 256. isbn978 0 253 22061 5.

Published online by Cambridge University Press:  09 March 2012

JACOB SMITH
JACOB SMITH
Affiliation:
Northwestern University
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Type
Exclusive Online Reviews
Information
Journal of American Studies , Volume 46 , Issue 1 , February 2012 , E2
Copyright
Copyright © Cambridge University Press 2012

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References

1 Dyer, Richard, Stars (London: BFI, 1998), 38Google Scholar.

2 Negus's comparative approach to cultures of production in several genres of popular music allows him to conclude that “the country performer is not expected to be a detached, aloof, temperamental artist struggling for their art” but is “expected to fit in and bond” with the record company “as part of the country community.” Negus, Keith, Music Genres and Corporate Cultures (London: Routledge, 1999), 128CrossRefGoogle Scholar.

3 David Marshall, P., Celebrity and Power (Minneapolis: University of Minnesota Press, 1997), 186, 198Google Scholar.

4 Hesmondhalgh, David, The Cultural Industries, 2nd edn (London: Sage, 2007), 4Google Scholar.

5 Chion, Michel, Audio-Vision (New York: Columbia University Press, 1994), 101Google Scholar.