Hostname: page-component-586b7cd67f-vdxz6 Total loading time: 0 Render date: 2024-11-24T19:51:56.106Z Has data issue: false hasContentIssue false

Improvising with Peter

Published online by Cambridge University Press:  20 May 2021

Sara Ramshaw*
Affiliation:
Associate Professor, University of Victoria Faculty of Law, British Columbia, Canada
*
*Corresponding author. E-mail: [email protected]

Abstract

When listening to a recently rediscovered home cassette recording of South African musician and activist Hugh Masekela, which was a gift from the late legal theorist Peter Fitzpatrick in 2004, unleashed are a series of recollections and reflections on the distinctiveness and significance of Fitzpatrick's scholarship, especially in relation to the emerging field of critical legal studies in improvisation. This short piece recalls Peter's boundless wisdom, kindness and generosity, and the lasting impact that his thought and texts have had on his students, colleagues and readers the world over.

Type
Article
Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Ansell, G (2018) Remembering Hugh Masekela: the horn player with a shrewd ear for music of the day, The Conversation, 23 January. Available at https://theconversation.com/remembering-hugh-masekela-the-horn-player-with-a-shrewd-ear-for-music-of-the-day-86414 (accessed 20 October 2020).Google Scholar
Bailey, D (1992) Improvisation: Its Nature and Practice in Music, 2nd edn. New York: Da Capo Press.Google Scholar
Beardsworth, R (1996) Derrida & the Political. London/New York: Routledge.Google Scholar
Chevigny, P (1991) Gigs: Jazz and the Cabaret Laws in New York City. New York/London: Routledge.Google Scholar
Cohen, MT (1993) The Police Card Discord. London/Metuchen, NJ: Scarecrow Press and the Institute of Jazz Studies, Rutgers University.Google Scholar
Davies, M (2009) Derrida and law: legitimate fictions. In Pierre, Legrand (ed.), Derrida and Law. London: Routledge, pp. 213237.Google Scholar
Derrida, J (2002) Force of law: the ‘mystical foundation of authority’, Quaintance M (trans.). In Anidjar, G (ed.), Acts of Religion. New York/London: Routledge, pp. 230298.Google Scholar
Fitzpatrick, P (2001) Modernism and the Grounds of Law. Cambridge: Cambridge University Press.CrossRefGoogle Scholar
Fitzpatrick, P (2003) Breaking the unity of the world: savage sources and feminine law. The Australian Feminist Law Journal 19, 4760.CrossRefGoogle Scholar
Fitzpatrick, P (2004) Juris-fiction: literature and the law of the law. ARIEL: A Review of International English Literature 35, 215229.Google Scholar
Fitzpatrick, P (2005a) Access as justice. Windsor Yearbook of Access to Justice 23, 316.Google Scholar
Fitzpatrick, P (2005b) ‘In God we trust’ can relieve us of trusting each other: Peter Fitzpatrick interviewed by Jill Stauffer. The Believer 3, 6372.Google Scholar
Fitzpatrick, P (2005c) In the end, or the cause of law. In Sarat, A and Scheingold, S (eds), The Worlds Cause Lawyers Make: Structure and Agency in Legal Practice. Stanford, CA: Stanford University Press, pp. 463468.CrossRefGoogle Scholar
Fitzpatrick, P (2013) Being originary: periodization and the force of feminine law. Australian Feminist Law Journal 38, 2340.CrossRefGoogle Scholar
Hall, TS (1999) The score as contract: private law and the historically informed performance movement. Cardozo Law Review 20, 15891614.Google Scholar
Kernfeld, B (1995) What to Listen for in Jazz. New Haven/London: Yale University Press.Google Scholar
Landgraf, E (2011) Improvisation as Art: Conceptual Challenges, Historical Perspectives. New York/London: Continuum.Google Scholar
Ramshaw, S (2006) Deconstructin(g) jazz improvisation: Derrida and the law of the singular event. Critical Studies in Improvisation 2, doi: https://doi.org/10.21083/csieci.v2i1.81 (accessed 20 October 2020).Google Scholar
Ramshaw, S (2013) Justice as Improvisation: The Law of the Extempore. Abington/New York: Routledge.CrossRefGoogle Scholar
Rentner, S (2017) The legacy of the jazz epistles, South Africa's short-lived but historic group, npr.org. Available at https://www.npr.org/2017/04/26/525696698/the-legacy-of-the-jazz-epistles-south-africas-short-lived-but-historic-group (accessed 20 October 2020).Google Scholar
Russonello, G (2017) Hugh Masekela, trumpeter and anti-apartheid activist, dies at 78, The New York Times, 23 January. Available at https://www.nytimes.com/2018/01/23/obituaries/hugh-masekela-dies.html (accessed 20 October 2020).Google Scholar