Hostname: page-component-cd9895bd7-jn8rn Total loading time: 0 Render date: 2024-12-26T17:26:07.293Z Has data issue: false hasContentIssue false
  • English
  • Français

Unruly Daughters to Mother Nation: Palestinian and Israeli First-person Films

Published online by Cambridge University Press:  11 March 2020

Dorit Naaman
Get access Rights & Permissions [Opens in a new window]

Abstract

This article examines the Israeli documentary My Land Zion and the Palestinian documentary Paradise Lost. Both films are critical autobiographical texts and in both, the woman filmmaker negotiates her emotional and ideological ties with her culture, history, and nation. Naaman proposes that by using the autobiographical genre and by engaging emotionally as well as rationally, the women filmmakers discussed offer a particular gendered position rebelliously outside nationalism and the place of women within it.

Type
Research Article
Information
Hypatia , Volume 23 , Issue 2 , June 2008 , pp. 17 - 32
Copyright
Copyright © 2008 by Hypatia, Inc.

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Abdo, Nahla, and Lentin, Ronit. 2002. Women and the politics of military confrontation: Palestinian and Israeli narratives of dislocation. Oxford: Berghahn Books.Google Scholar
Fuchs, Esther. 2005. Israeli women's studies: A reader. New Brunswick, N.J.: Rutgers University Press.Google Scholar
Gold, Gali. 2006. What is your story? Third Text 20 (3–4): 475–86.CrossRefGoogle Scholar
Hasso, Frances 2005. Discursive and political deployments by/of the 2002 Palestinian women suicide bombers/martyrs. Feminist Review 81: 23–51.CrossRefGoogle Scholar
Kotef, Hagar, and Amir, Merav. 2007. (En)gendering the checkpoints: Checkpoint Watch and the repercussion of intervention. Signs: Journal of Women in Culture and Society 32 (4): 973–96.CrossRefGoogle Scholar
Marks, Laura. 2000. The skin of the film. Durham, N.C.: Duke University Press.CrossRefGoogle Scholar
Naaman, Dorit. 2006. The silenced outcry: A feminist point of view from the Israeli checkpoints in Palestine. National Women Studies Association Journal 18 (3): 168–80.Google Scholar
Naficy, Hamid. 2001. Accented cinema. Princeton, N.J.: Princeton University Press.CrossRefGoogle Scholar
Sasson Levy, Orna. 2006. Identity in uniform: Manliness and womanliness in the Israeli Army (in Hebrew). Tel Aviv: Magnes.Google Scholar
Sered, Susan Starr. 2000. What makes women sick: Maternity, modesty, and militarism in Israeli society. Hanover, N.H.: Brandeis University Press and University Press of New England.Google Scholar
Sharoni, Simon. 1995. Gender and the Israeli‐Palestinian conflict: The politics of women's resistance. Syracuse, N.Y.: Syracuse University Press.Google Scholar
Westcott, Kathryn. 2005. Why mothers push for peace. BBC News, August 13. http://news.bbc.co.uk/1/hi/world/americas/4144532.stm.Google Scholar
Yuval‐Davis, Nira, and Anthias, Floya, eds. 1989. Woman‐nation‐state. New York: St Martin's Press.CrossRefGoogle Scholar
Zerubavel, Yael. 1995. Recovered roots: Collective memory and the making of Israeli national tradition. Chicago: University of Chicago Press.Google Scholar