Hostname: page-component-cd9895bd7-dzt6s Total loading time: 0 Render date: 2024-12-27T10:10:52.738Z Has data issue: false hasContentIssue false

The “Batty” Politic: Toward an Aesthetic of the Black Female Body

Published online by Cambridge University Press:  25 March 2020

Abstract

I assess representations of black women's derrieres, which are often depicted as grotesque, despite attempts by some black women artists to create a black feminist aesthetic that recognizes the black female body as beautiful and desirable. Utilizing a black feminist disability theory, I revisit the history of the Hottentot Venus, which contributed to the shaping of this representational trope, and I identify a recurring struggle among these artists to recover the “unmirrored” black female body.

Type
Research Article
Copyright
Copyright © 2003 by Hypatia, Inc.

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Asantewaa, Eva Yaa. 1998. Upbeat program shakes its batty: Urban Bush Women, Aaron Davis Hall, NYC. Retrieved 19 October 2002 from the World Wide Web: http://www.danceonline.com/rev/bush.html.Google Scholar
Bakhtin, Mikhail. 1981. The dialogic imagination: Four essays. Austin: University of Texas Press.Google Scholar
Barnes, Natasha. 1997. Face of the nation: Race, nationalisms, and identities in Jamaican beauty pageants. In Daughters of Caliban: Caribbean women in the twentieth century, ed. Lóspez, Consuelo Springfield. Bloomington: Indiana University Press.Google Scholar
Burnside, Madeleine, and Robotham, Rosemarie. 1997. Spirits of the passage: The trans‐atlantic slave trade in the seventeenth century. New York: Simon and Schuster.Google Scholar
Carroll, Noel. 2000. Ethnicity, race, and monstrosity: the rhetorics of horror and humor. In Beauty matters, ed. Brand, Peggy Zeglin. Bloomington: Indiana University Press.Google Scholar
Cliff, Michelle. 1984. Abeng. New York: Dutton.Google Scholar
Cliff, Michelle. 1993. Free Enterprise. New York: Dutton.Google Scholar
Collins, Patricia Hill. 1990. Black feminist thought: Knowledge, consciousness, and empowerment. New York: Routledge.Google Scholar
Cuvier, George. 1817. Extrait d'observations faites sur le cadavre d'une femme connue a Paris et a Londres sous le nom de Venus Hottentote. Notes of museum d'histoire naturelle. Paris .Google Scholar
Edwards, Paul, and Walvin, James. 1983. Black personalities in the era of the slave trade. Baton Rouge: Louisiana State University Press.10.1007/978-1-349-04043-8CrossRefGoogle Scholar
Giddings, Paula. 1984. When and where 1 enter: The impact of black women on race and sex in America. New York: William Morrow.Google Scholar
Giddings, Paula. 1995. The last taboo. In Words of fire, ed. Guy‐Sheftall, Beverly. New York: New Press.Google Scholar
Gilman, Sander. 1985. Difference and pathology. Ithaca: Cornell University Press.Google Scholar
Goude, Jean‐Paul. 1981. Jungle fever. New York: Xavier Moreau.Google Scholar
Gould, Stephen Jay. 1985. The Hottentot Venus. In The flamingo's smile: Reflection in natural history. New York: Norton Press.Google Scholar
Kant, Immanuel. 1997. Critique of judgment. Trans. Meredith, J. C.New York: Oxford University Press.Google Scholar
The life and times of Sara Baartman. 1998. Dir. Zola Maseko. First Run/Icarus Films. Videocassette.Google Scholar
Lindfors, Bernth. 1985. Courting the Hottentot Venus. Africa 40 (1): 133–48.Google Scholar
Magubane, Zine. 2001. Which bodies matter? Feminism, postructuralism, race, and the curious theoretical odyssey of the “Hottentot Venus.” Gender and Society 15 (6): 816–34.10.1177/089124301015006003CrossRefGoogle Scholar
Mapplethorpe, Robert. 1986. The black book. New York: St. Martin's Press.Google Scholar
Morgan, Jennifer L. 1997. “Some could suckle over their shoulder”: Male travelers, female bodies, and the gendering of racial ideology, 1500–1770. William and Mary Quarterly 54:167–92.10.2307/2953316CrossRefGoogle Scholar
O’Grady, Lorraine. 1992. Olympia's maid: Reclaiming black female subjectivity. Afterimage 20 (1): 1420.Google Scholar
Pieterse, Jan Nederveen. 1992. White on black: Images of Africa and blacks in Western popular culture. New Haven: Yale University Press.Google Scholar
Sharpley‐Whiting, T. Denean. 1999. Black Venus: Sexualized savages, primal fears, and primitive narratives in French. Durham, N.C.: Duke University Press.10.1215/9780822382799CrossRefGoogle Scholar
Strother, Z. S. 1999. Display of the body Hottentot. In Africans on stage, ed. Lindfors, Bernth, 161. Bloomington: Indiana University Press.Google Scholar
Thomson, Rosemarie Garland. 1997. Extraordinary bodies: Figuring disability in American culture and literature. New York: Columbia University Press.Google Scholar
Williams, Carla. 2002. Artist's statement. Retrieved 30 September on the World Wide Web: http://www.carlagirl.net.Google Scholar
Willis, Deborah, and Williams, Carla. 2002. The black female body: A photographic history. Philadelphia: Temple University Press.Google Scholar
Women's work. 1996. Dirs. Jawole Willa Jo Zollar, Marianne Henderson, and Bruce Berryhill. Virginia Museum of Fine Arts. Videocassette.Google Scholar