Hostname: page-component-586b7cd67f-t7fkt Total loading time: 0 Render date: 2024-12-01T04:57:03.611Z Has data issue: false hasContentIssue false
  • English
  • Français

MAKING DEAD MEN SPEAK: LAUDIANISM, PRINT, AND THE WORKS OF LANCELOT ANDREWES, 1626–1642

Published online by Cambridge University Press:  01 June 1998

PETER McCULLOUGH
PETER McCULLOUGH
Affiliation:
Lincoln College, Oxford
Get access Rights & Permissions [Opens in a new window]

Abstract

This study examines the posthumous competition over the print publication of works by Lancelot Andrewes (1555–1626) before the English Civil War. The print history of the two official volumes edited by Laud and John Buckeridge (1626), and of competing editions of texts rejected by them but printed by puritan publishers, sheds important new light not only on the formation of the Andrewes canon, but on Laud's manipulation of the print trade and his attempts to erect new textual authorities to support his vision of the church in Britain.

Type
Research Article
Information
The Historical Journal , Volume 41 , Issue 2 , June 1998 , pp. 401 - 424
Copyright
© 1998 Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Footnotes

This article grew out of a paper read to the third Reading Literature and History Conference, ‘Texts and Cultural Change’, July 1995. In expanded form it was presented to the Religious History Seminar at the Institute for Historical Research, and to the Tudor–Stuart History Seminar at Cambridge University. I am particularly grateful for the questions and comments of Drs Nicholas Tyacke, Kenneth Fincham, and John Morrill, and to the early encouragement of Professor Peter Lake and Dr David Armitage.