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Dissatisfied Enlightenment: Certain Difficulties Concerning The Public Use Of One's Reason

Published online by Cambridge University Press:  23 June 2015

Katerina Deligiorgi*
Affiliation:
University of Essex
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Abstract

“Have the courage to use your own understanding!”. Thus Kant explicates the motto of enlightenment, sapere aude, inviting perhaps the readers of the Berlinische Monatschrift to follow suit. “[B]e for yourselves what you all are in yourselves – reasonable”. Thus Hegel introduces the pure insight of enlightened Spirit which addresses its emancipatory call to every consciousness. The apprised readers of the Phenomenology would know to temper their enthusiasm. Those who manage to get that far without doubting the clarity and simplicity of the Wahlspruch of enlightenment, are likely to be dissappointed by Hegel's subsequent analysis, which is largely intended to test such convictions. At the very least, the determined Aufklärer will have to consider whether the normative confidence of ‘dare to know’ is premised on unqualified theoretical certainty, and whether this instruction does not have an altogether more sombre half in the uncertainties of enlightened practice, let alone the terrifying certainty of the guillotine. In the following, I will argue that Kant modifies his initial definition of enlightenment by emphasising the collective and discursive dimensions of the enlightening process, the “freedom to make public use of one's reason in all matters”. I will then argue that Hegel adopts a similar approach in the Phenomenology but evaluates differently the problems involved in establishing a public for reason and in assessing the rationality of this public and proposes a different model of public debate.

Type
Hegel and the Enlightenment
Copyright
Copyright © The Hegel Society of Great Britain 1997

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References

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70 It is important to notice that the passage from righteous to criminal consciousness is a structural passage, the paradigmatic use of crime and confession does not mean that all action is criminal but that all action is unpredictible; it is rather the refusal to recognise this unpredictability that constitutes the morphology of crime.