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“Force Disguised as Reason”: Law, Jurists, and Constituent Power in Boccaccio's Decameron

Published online by Cambridge University Press:  06 March 2019

Abstract

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This Article presents the Decameron, by Giovanni Boccaccio, as a classic writing of universal literature that contains anticipations and fundamental innovations of the political categories of modernity: Contractualism, constituent power, constitutional deliberation, rhetoric, and the relation with Fortuna. The argument is developed in three parts: Initially, the legal and European dimension of the Decameron are summarized; then the discussion focuses on legal issues and institutional characters narrated in the novels; finally, the introduction of the work is analyzed, in which both the political-constitutional theme of the new beginning of the community and the collective archetype of the plague are interpreted as metaphors for the state of exception.

Type
The rule of law, constitutionalism and the judiciary
Copyright
Copyright © 2018 by German Law Journal, Inc. 

References

1 I prefer to talk about a “law and literature” movement, rather than a “law and literature” method, because the methodological disputes, typical of the classical areas of law, have been reproduced even within this type of studies. For excellent overviews see Ward, Ian, Law and Literature, Cambridge, 356 (1995). See generally José Calvo González, El Escudo de Perseo: La Cultura Literaria Del Derecho (2012); Maria Paola Mittica, O che acontece além do Oceano? Direito e Literatura na Europa, 1 Anamorphosis (2015).Google Scholar

2 It suffices to mention the recent Italian republication of the first work of Hans Kelsen, Lo Stato in Dante (2017). Boccaccio scholars themselves have called attention to the lack of a legal analysis of his work: Giuseppe Mazzotta, The World at Play in Boccaccio's Decameron 213 (1986). “With the exception of a few biographical references to Boccaccio's enrolment in the study of the law and to his contacts with Cino da Pistoia, there is not so much to be found on the question of the law in recent scholarship on the Decameron or even on the whole corpus of Boccaccio's work.” See Ricci, Lucia Battaglia, Diritto e Letteratura, Il Caso Boccaccio, in Studi di onomastica e letteratura: offerti a Bruno Porcelli 72 (2007). “Much has been written regarding the role of the market in Boccaccio; but instead the textual relevance of his legal culture has been practically ignored. And yet, his experience as a student of law has been anything but irrelevant for him, as a scholar, author of the Decameron, intellectual reader of Dante and lover of literary fables.” Id. Google Scholar

3 Vittore Branca, Boccaccio medievale 172 (2010).Google Scholar

4 See Manni, Paola, La Lingua del Boccaccio 115 (2017).Google Scholar

5 Lucia Battaglia Ricci, Scrivere un Libro di Novella 117 (2013); Giuseppe Mazzotta, The World at Play in Boccaccio's Decameron 213 (1986). “With the exception of a few biographical references to Boccaccio's enrollment in the study of the law and to his contacts with Cino da Pistoia, there is not so much to be found on the question of the law in recent scholarship on the Decameron or even on the whole corpus of Boccaccio's work.” Id. Google Scholar

6 Maurizio Fiorilla, Introduzione al Decameron 53 (2011).Google Scholar

7 For further analysis of the tension between the political order and natural law, see Barsella, Susanna, Boccaccio: i tiranni e la Ragione Natural, Heliotropia 131 (2016), http://www.brown.edu/Departments/Italian_Studies/heliotropia/12/barsella.pdf; Mario Conetti, Il collasso dell'ordine giuridico e il diritto naturale nel Decameron, Heliotropia 105 (2016), http://www.brown.edu/Departments/Italian_Studies/heliotropia/12/conetti.pdf.Google Scholar

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Despite Filomena's reconfiguration of the religious discourse of the previous two tales, the story she tells shares with both a significant interest in the question of evidence. All three tales have forensic elements: Ciappelletto as proof, curial misbehavior as proof, the rings as proof. Each in its own way asserts that we base our conclusions on matters of transcendence on the evidence of the material world.Google Scholar

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48 Boccaccio, supra note 8, at 802 (“Confesso nondimeno le cose di questo mondo non avere stabilità alcuna ma sempre essere in mutamento, e così potrebbe della mia lingua essere intervenuto.”).Google Scholar