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Cultural Studies as Performative Research in a Digital Age

Published online by Cambridge University Press:  13 May 2014

Caroline Stockman  and
Fred Truyen
Caroline Stockman
Affiliation:
Blijde Inkomststraat 21, B-3000 Leuven, Belgium. E-mail: [email protected]
Fred Truyen
Affiliation:
Blijde Inkomststraat 21, B-3000 Leuven, Belgium. E-mail: [email protected]
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Abstract

This paper aims to explore the nature of digital culture research, and the fitting methodology. Although it is still felt to be a novelty, it is not so different from the more general domain of Cultural Studies. The aim of research for both domains is meaning, or the challenge to understand the dynamics of the encoding and decoding process. Both domains endorse a wide variety of subjects, although typically the concrete methodology of Cultural Studies still remains restricted to qualitative approaches. The question of quantitative data and their analysis is highlighted in digital culture, and we should consider both its opportunities and limitations for the research at hand. In our reflection, Cultural Studies research emerges as a performative enterprise, and this is one of its unique distinctions as a research domain.

Type
Focus: Nihilism
Information
European Review , Volume 22 , Issue 2 , May 2014 , pp. 309 - 320
Copyright
Copyright © Academia Europaea 2014 

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