This article focuses on one of the two big mounds at Haugar in Tønsberg, Norway, and the role they played in the constitution of the Norwegian kingdom. The monument we will discuss is dated to the ninth century AD. We argue that the stratigraphy represents the rituals performed. There are no finds of grave-goods, but the mound contains an enormous layer of charcoal. Our ambiguity towards designating all mounds as ‘graves’ seeks to open a wider range of explanations of the symbolism in these constructions commonly defined as graves. The monuments look like symbolic charcoal kilns, necessary to the smith's iron-making. Are the symbolic charcoal kilns a materialized association of a ritual transformation of the society, embedding death, monument, charcoal and iron? According to Snorri Sturlason, two of the sons of Harald Hårfagre (Finehair), the first king of Norway, were buried in these mounds in the tenth century AD. An examination of the medieval writer Snorri illuminates the political motives and the ideological use of the mounds in the 1230s among the elite in Norway.

The focus of this article is the use and abandonment of the rectangular timber buildings of the Irish early Neolithic, a period that corresponds roughly with the first half of the fourth millennium cal BC. While they do not represent the only remains of occupation at this time, the fact that they display a striking degree of homogeneity of size, shape and materials makes them an especially interesting part of settlement activity on the island. One particular feature of this patterning is the frequency with which early Neolithic timber buildings have been substantially or completely destroyed by fire. It will be argued below that this burning was deliberate and played an important role in the lifecycle – the creation, maintenance and destruction – of these buildings. To provide a context for this discussion, a more in-depth look will be taken at these distinctive buildings and at their form and function.

This contribution explores an aspect of boat burials in the second half of the first millennium AD across Northern Europe, specifically boat burials that included equipment for board games (surviving variously as boards and playing pieces, playing pieces only, or dice and playing pieces). Entangled aspects of identity, gender, cosmogony, performance, and commemoration are considered within a framework of cultural citation and connection between death and play. The crux of this article's citational thrust is the notion of quoting life in the rituals surrounding death. This was done both in the service of the deceased and in the service of those wanting to remember the deceased, the argument distills around the biographical trajectories or the different social and individual uses to which people put ostensibly simple things such as gaming pieces.

The aim of this study is to analyse the correlation between finds and ditches, the duration of ditch fills, and the manner of the demise of Late Neolithic rondels (Kreisgrabenanlagen) in the Czech Republic. Two comparable long-term projects are discussed here: Kolín (central Bohemia) and Vchynice (north-west Bohemia). Qualitative, quantitative, and spatial analyses of the different categories of finds (pottery fragments, lithics, daub, and faunal remains) from the ditch fills show that only finds from the bottom layers of the ditches were contemporary with the primary function of the rondels. However, the bottom layers often only contained a few artefacts. The richest parts of the ditches, the middle and upper layers, from both sites illustrated similar characteristics: after the rondels lost their primary function, the ditches were filled by both natural and cultural agents over a long period. As a consequence, some previous, and widely accepted, interpretations of the relationship between individual areas of rondels and their relationship with surrounding features, as well as the relationship of the finds from ditch fills to rondel function and chronology, need to be revisited.

The graphic symbolism of Pompeian caricatures is approached through a semiotically defined, oppositional framework, in which possible adjectives and connotations attached to various physical features are listed. These in turn are grouped either as those associated with power and authority or as those associated with their absence.

Although scholars have often ignored popular culture or characterised it as coarse and vulgar, the caricatures are found to have a sophisticated semiotic system that stood in opposition to erudite upper class painting and served to criticise people in power. Nevertheless, caricatures of slavery as an institution reveals that ordinary people's ethos was affected by social contradictions and thus social bonds were unconsciously reinforced.

Between the sixth and eighth centuries ad, the practice of furnished burial was widely abandoned in favour of a much more standardized, unfurnished rite. This article examines that transition by considering the personhood and agency of the corpse, the different ways bonds of possession can form between people and objects, and what happens to those bonds at death. By analysing changing grave good use across western Europe, combined with an in-depth analysis of the Alamannic cemetery of Pleidelsheim, and historical evidence for perceptions of the corpse, the author argues that the change in grave good use marks a fundamental change in the perception of corpses.

The article considers the ways in which material culture and especially architecture is used in the negotiation of social relationships in Neolithic settlements in Thessaly, Greece. Thus it reconstructs the possibilities past agents had to form an identity in relation to houses and subsequently the consequences of two different habitation strategies, i.e. rebuilding on the same spot or relocation to another area, in relation to the conceptualization of time and the past. It is suggested that the different entanglement of memories with the material culture played an important role in the negotiation of relationships, by allowing agents to use the past as cultural capital and, even more, in the late Neolithic, to appropriate its reference points spatially and thus lay preferential claims over it.

The Athens 2004 Olympic Games presented an opportunity for Greece to celebrate its ancient traditions and modern organizational skills. The organizers used archaeology as theory, iconography, idealism and so on. They particularly focused on Classical antiquity, when the Games were at their height before their modern revival. This article, however, will examine the use of Minoan archaeology. I argue that, although there is no archaeological evidence to connect Minoan archaeology to the original Olympic Games, the modern Greek national narrative adapted it to the current national image of the Olympic Games. I analyse this phenomenon by deconstructing some of its processes, taking Crete as a case study. I also highlight broader issues, concerning the instrumentality of the public domain in the shaping of cultural heritage.

The dendrochronological dating of timbers from the grave chamber and the wagon from Wehringen Tumulus 8 provides the opportunity for a re-examination of Hallstatt Iron Age absolute chronology for southern Germany. Revisions to the southern German oak-based master curve provide a complete sequence through the 1st millennium BC, enabling the provision of a solid sequence for the first time. This sequence is based upon dendrodates from some twenty sites, including Villingen and the Heuneburg. The authors provide an interpretation of the significance of the new dates for the Hallstatt period in the western Alpine foreland.

This article presents the findings of the minimally destructive biomolecular species identification method known as ZooMS (zooarchaeology by mass spectrometry) to identify the use and choices of resources for manufacturing leather shoes in urban contexts in Viking and medieval Denmark. Whereas parchment and historical skin samples have been previously analysed by ZooMS, the potential of the method is demonstrated here for archaeological, vegetable-tanned, and waterlogged leather from the eleventh to thirteenth-century Danish cities of Ribe, Odense, and Viborg. Sheep, goat, and cattle were used to produce shoes, with explicit choices of species for specific purposes. The selection seems to be largely based on the skins’ material properties, suggesting that functionality was more important than signalling. The urban environment is seen as promoting synergy among providers of resources, crafts, and customers.

Current archaeological thought evokes a sparking Catherine wheel: spinning fireworks that detonate light, colour, and sound with every movement. These theoretical turns swirl alongside the ongoing development and adoption of scientific and digital techniques that have wide-ranging implications for archaeological practices and interpretations. Two particularly combustible developments are posthumanism and the ontological turn, which emerged within the broader humanities and social sciences. Posthumanism rejects human exceptionalism and seeks to de-centre humans in archaeological discourse and practice. Linked to this is the so-called ‘ontological turn’ (aka the ‘material turn’), a shift away from framing archaeological research within a Western ontology and a movement beyond representationalism (i.e. focusing on things themselves rather than assuming that objects represent something else).

Introducing the European Journal of Archaeology's special issue ‘Mortuary Citations: Death and Memory in the Viking World’, this article outlines the justification and theoretical framework underpinning a new set of studies on Viking-age mortuary and commemorative practice as strategies of mortuary citation. The contributions to the collection are reviewed in relation to strengths and weaknesses in existing research and broader themes in mortuary archaeological research into memory work in past societies.

Scandinavian rock art may in general be regarded as idealized depictions of a social world, not a direct description of concrete social matters. Even so, rock art does convey important social information that calls for more thorough comment. This study concerns almost 1700 ship depictions from western Sweden that include human representations. The average ship is depicted with a crew of six to thirteen individuals and these craft may have represented prevailing ideals about the crewing of ships. The large ship images with numerous crews in clearly defined positions may be depictions of war canoes, staged for special maritime events. The study shows that the visual proportions of the rock-art ships are similar to those of the prehistoric war canoe from Hjortspring, Denmark. It is argued that the praxis of pecking ships into the rocks could have served to manifest the agency of the maritime social world and, to some extent, to make this ideology more dominant.

This article presents evidence of population movements in Thessaly, Greece, during the Early Iron Age (Protogeometric period, eleventh–ninth centuries bc). The method we employed to detect non-local individuals is strontium isotope analysis (87Sr/86Sr) of tooth enamel integrated with the contextual analysis of mortuary practices and osteological analysis of the skeletal assemblage. During the Protogeometric period, social and cultural transformations occurred while society was recovering from the disintegration of the Mycenaean civilization (twelfth century bc). The analysis of the cemeteries of Voulokaliva, Chloe, and Pharsala, located in southern Thessaly, showed that non-local individuals integrated in the communities we focused on and contributed to the observed diversity in burial practices and to the developments in the formation of a social organization.

Academic discourse has its own norms related to the national culture, but also to the academic community concerned. In a linguistic classification, discourse communities are being formed with their own conventions and their own academic languages, rhetoric and intellectual styles, sharing paradigms, goals and methods. A positive aspect of discourse communities is that they spread across different national languages and across different – mainstream and minor – communities (using the language of the leading group of researchers). Can this be seen in present-day archaeology, and can it bridge the gap in communication between mainstreams and minorities?

Using the case study of the Council of Europe's European Cultural Routes Project, this article examines if and how far supra-national rhetorics of cultural openness, inclusivity, and diversity become reality in terms of actual cultural heritage projects. Against this background, it conducts a critical examination of what is considered one of the flagships of European supranational cultural heritage projects, the Council of Europe's Santiago de Compostela Pilgrim Routes. It focuses on the specific implementation of the Council of Europe's supra-national message of cultural heritage in this project and in its accompanying guidebook. By placing the project in its historical context and comparing it to later additions to the European Cultural Routes Project, this article reflects on the development of a pan-European cultural identity paradigm over the last two decades.

The importance of archaeological heritage management in a united Europe has increased in recent years, and the archaeological scene is changing drastically. Causes of this development are, among others, the end of the political division of Europe and the ‘green debate’ with its effects on the way in which the archaeological heritage is being treated. Equally important are the effects of the. Malta Convention and the influence of lawmaking within the EU. This paper discusses recent developments and the need for cooperation at a European level, as well as the various opportunities, tasks and challenges of heritage management in the immediate future.

This paper investigates two phases (1200–1000 BC and 800–700 BC) of the Bronze-Age settlement at Apalle in central Sweden, concentrating on the symbolism of the interior of houses, cooking stones, and middens. Middens of fire-cracked stones and refuse were similar to tombs in the earlier phase, their contents suggest a notion of death that included the non-human. In the early phase the middens were collectively created and central to the settlement, in the later they were more numerous but smaller, on the edges of the settlement, and more ‘private’. The houses became more open in the later phase, with fewer and less marked interior boundaries. Hearths in the houses became more important, house construction included ‘dead’ material from the middens. The changes are interpreted as reflecting growing separation between households but increasing openness within the household, and an increasing privatisation of the household's external concerns.

The paper also offers some theoretical thoughts on the nature of case studies and their relationship to general understanding.

There is a considerable mix of models for house durations in the literature on Neolithic Europe. This article presents a summary of a formal chronological model for the Neolithic tell of Uivar in western Romania. We provide estimates of house duration and relate houses to other features of the development of this tell, from the later sixth to the mid-fifth millennium cal bc. Three wider implications are discussed: that the house must be contextualized case by case; that house duration gives powerful insights into the sociality of community; and that houses, surprisingly often taken rather for granted in Neolithic archaeology, should be fully integrated into the interpretation of Neolithic histories. From what perspective, anthropocentric or relational, that may best be done, is open to question; while it may be helpful to think in this case in terms of the lives and vitality of houses, the ability of people to create and vary history should not be set aside lightly.

Bio-archaeological studies can contribute significantly to understanding the economic interactions between cities and their hinterland. In Pompeii, where research has often been intramurally focussed, analysis of biological remains is often confined to bones and macro-botanicals consumed as foodstuffs. Charcoal, if collected, often remains unexamined, and yet this material is key to understanding the fuel economy of a city. This study has two goals: first, to describe an efficient method for charcoal sampling and analysis in a dense urban environment using only dry-sieved charcoals above 5 mm; and, second, in doing so, to demonstrate the dependent relationship between Pompeii and its hinterland for the provision of fuel in a case study from the House of the Vestals. A pilot study of 25 contexts from six ‘rooms’ and 750 charcoal fragments was followed by an extended study of 62 contexts over 14 rooms (a total of 1579 charcoal fragments). The extended results identified only two further (minor) taxa (represented by only three fragments). The most important wood identified was beech (Fagus sylvatica), which constituted 50–75 per cent of the fuel supply, depending on the time period. Beech grows preferentially above about 900 m in central and southern Italy. Pompeii lies at 30 m altitude with the nearest mountain areas at least 15 km away. The study suggests that a methodology that relies on collection of charcoal from routine dry sieving (5 mm grid), in soils where this is possible, can provide robust results in a cost effective manner in an urban setting.