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Masterpiece and Mass Product
The Original and the Copy in Ancient Egypt
Published online by Cambridge University Press: 28 February 2024
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Spanning the course of three millennia, the art of ancient Egypt stands out for its unique continuity. The fundamental rules of Pharaonic art were established around 3000 bc. The proportions of the human body, the style of cubist representation in relief and painting, the division of a tomb or temple wall into strips, and the adaptation of diverse forms into simple hieroglyphic images remained the principle elements of Egyptian art until the Imperial Roman era.
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- Copyright © 1998 Fédération Internationale des Sociétés de Philosophie / International Federation of Philosophical Societies (FISP)
References
Suggested Bibliography
Barta, Winfried, “Das Selbstzeugnis eines altägyptischen Künstlers,” in Münchner Agyptologische Studien 22 (Munich-Berlin, 1970).Google Scholar
Drenkhahn, Rosemarie, “Die Handwerker und ihre Tätigkeit im alten Ägypten,” in Agyptologische Abhandlungen 31 (Wiesbaden, 1976).Google Scholar
Wolf, Walther, “Individuum und Gemeinschaft in der ägyptischen Kultur,” Leipziger Ägyptologische Studien 1 (Glückstadt, 1935).Google Scholar
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