Hostname: page-component-586b7cd67f-l7hp2 Total loading time: 0 Render date: 2024-11-23T20:54:40.688Z Has data issue: false hasContentIssue false
  • English
  • Français

Gender Studies and Film Studies in France: Steps Forward and Back

Published online by Cambridge University Press:  01 January 2024

Geneviève Sellier
Geneviève Sellier*
Affiliation:
University of Caen
Rights & Permissions [Opens in a new window]

Abstract

Core share and HTML view are not available for this content. However, as you have access to this content, a full PDF is available via the ‘Save PDF’ action button.

Fifteen years after the first translations of Anglo-American feminist film theories, this gender approach is finding it hard to gain acceptance in France. The main reason is the elitist view of cinema d’auteur that is still prevalent in academic circles, where the art is seen as a genius's creation outside social determinations in general and gender relations in particular.

However, under the influence of historians and sociologists, who dominate gender research in France, French work on film privileges a historical and sociocultural approach, whereas American research is dominated by psychoanalytical approaches. French gender analyses privilege the expression of dominant relations but also of contradictions at work in the films, whether popular or by an auteur-e, as well as in the stars’ image or in tv fiction. Finally some research explores the changes brought about by the emergence of female film-makers on the French scene.

Type
Articles
Information
Diogenes , Volume 57 , Issue 1 , February 2010 , pp. 103 - 112
Copyright
Copyright © ICPHS 2010

References

Adorno, Theodor W. and Horkheimer, Max (1974) “La production industrielle des biens culturels,” in La Dialectique de la raison. Paris: Gallimard.Google Scholar
Audé, Françoise (2002) Cinéma d’elles 1981-2001. Lausanne: l’Âge d’Homme.Google Scholar
Brassart, Alain (2004) Les jeunes premiers dans le cinéma français des années 60. Paris: Cerf /Corlet.Google Scholar
Brassart, Alain (2007) L’Homosexualité dans le cinéma français. Paris: Nouveau Monde.Google Scholar
Burch, Noël and Sellier, Geneviève (1996) La Drôle de guerre des sexes du cinéma français, 1930-1956. Préface by Michelle Perrot. Paris: Nathan.Google Scholar
Dyer, Richard (1986) Heavenly Bodies: Film Stars and Society (London: British Film Institute, 1986; Routledge, 2003, 2nd edn); French translation: Le Star-système hollywoodien, suivi de Marilyn et la sexualité (2004). Paris: L’Harmattan.Google Scholar
Glévarec, Hervé, Macé, Eric and Maigret, Eric (2008) Cultural Studies, anthologie. Paris: Armand Colin.Google Scholar
Harvey, Sylvia (2007) “La place de la femme: absence de la famille dans le film noir,” in Burch, Noël (ed.), Revoir Hollywood. Paris: L’Harmattan.Google Scholar
Kaplan, E. Ann (1998) Women in Film noir. London: BFI.Google Scholar
Krutnick, Franck (1991) In a Lonely Street: Film noir, Genre, Masculinity. Londres: Routledge.Google Scholar
Lang, Robert (1989) American Film Melodrama: Griffith, Vidor, Minnelli. Princeton, NJ: Princeton UP.Google Scholar
Le Gras, Gwenaëlle (2010) Catherine Deneuve, une « star » entre classicisme et modernité. Paris: Nouveau Monde.Google Scholar
Martineau, Monique (1993) “Inconnu au bataillon!” CinémAction, 67: 5–7.Google Scholar
Mattelard, Armand and Neveu, Eric (2008), Introduction aux Cultural Studies. Paris: La Découverte.Google Scholar
Modleski, Tania (1988) The Women Who Knew Too Much: Hitchcock and Feminist Theory. New York: Methuen.Google Scholar
Moine, Raphaëlle (2002) Les Genres du cinéma. Paris: Nathan.Google Scholar
Moine, Raphaëlle, éd. (2004) Le cinéma français face aux genres. Paris: AFRHC.Google Scholar
Mulvey, Laura (1975) “Visual Pleasure and Narrative Cinema,” Screen, 16(3): 6–18.CrossRefGoogle Scholar
Reynaud, Bérénice and Vincendeau, Ginette (eds) (1993) Vingt ans de théories féministes, CinémAction, 67.Google Scholar
Rollet, Brigitte (2007) Télévision et homosexualité. Paris: L’Harmattan.Google Scholar
Rollet, Brigitte and Tarr, Carrie (2001) Cinema and the Second Sex. Londres /New York: Continuum.Google Scholar
Roth-Bettoni, Didier (2007) L’Homosexualité au cinéma. Paris: La Musardine.Google Scholar
Scott, Joan W. (1986) “Gender: A Useful Category of Analysis,” American Historical Review, 91: 1053–1075.CrossRefGoogle Scholar
Sellier, Geneviève (2005) La Nouvelle Vague, un cinéma au masculin singulier. Paris: éd. du CNRS; Engl. translation (2008) Masculine singular: French New Wave Cinema. Durham: Duke UP.Google Scholar
Sellier, Geneviève and Beylot, Pierre (eds) (2004) Séries policières. Paris: INA/ L’Harmattan.Google Scholar
Turk, Edward B. (2001) Child of Paradise. Marcel Carné and the Golden Age of French Cinema. Cambridge, MA: Harvard UP.Google Scholar
Vasse, David (2004) Catherine Breillat, un cinéma du rite et de la transgression. Bruxelles: Éditions Complexe/ Issy-les-Moulineaux: Arte.Google Scholar
Vincendeau, Ginette (2000) Stars and Stardom in French Cinema. Londres/New York: Continuum.Google Scholar
Vincendeau, Ginette (2007) Jean Gabin, anatomie d’un mythe. Paris: Nathan (1st edn, 1993).Google Scholar