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Aesthetic Perception in Everyday Life

Published online by Cambridge University Press:  02 April 2024

Jean-Pierre Keller

Extract

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The everyday is that element of our material and social environment that comes closest to us, and is thus the least visible; for it stands to reason that it will neither attract attention to itself, nor catch the eye.

Type
Research Article
Information
Diogenes , Volume 25 , Issue 100 , March 1977 , pp. 7 - 25
Copyright
Copyright © 1977 Fédération Internationale des Sociétés de Philosophie / International Federation of Philosophical Societies (FISP)

References

1 This article is a partially rewritten extract of a book that is to appear shortly.

2 E. Goffman, La mise en scène de la vie quotidienne, Ed. Minuit, 2 vols., 1973.

3 H. Lefebvre, Critique de la vie quotidienne, L'Arche, 2 vols., 1958, and 1961; La vie quotidienne dans le monde moderne, Gallimard, "Idées," 1968.

4 F. Léger, "L'esthétique de la machine: l'objet fabriqué, l'artisan et l'artiste," in the Bulletin de l'effort modern, Paris 1924, (reprinted in F. Léger, Fonctions de la peinture, Paris, Gonthier, 1965, p. 53).

5 Cf. "Un ‘misfit' de la peinture new-yorkaise se confesse," an interview with R. Rauschenberg by A. Parinaud, in Arts, 821, Paris, 1961, p. 18.

6 A. Willener, "L'improvvisation non-instrumentale," in P. Beaud and A. Wil lener, Musique et vie quotidienne, Paris, Mame, 1973, p. 209, (author's under lining).

7 Quoted by S. Wilson, in Pop, Thames and Hudson, 1974, p. 19.

8 "Ils collectionnent," Paris, Musée des Arts Decoratifs, 1974.

9 S. and H. Goldstein, Coca-Cola Collectibles, 3 vols., Woodland Hills, Cali fornia, 1971-1974.

10 J.P. Sartre, L'être et le néant, Gallimard, 1943, p. 677. (Author's under lining).

11 H. Van Lier, "Objet et esthétique," Communications, 13, 1969.

12 R. Smith, "Instant Archaeology," in J. Russell and S. Gablik, Pop Art Redefined, New York, Praeger, 1969, p. 114.

13 G. Péninou, "Physique et métaphysique de l'image publicitaire," Com munications, 15, 1970, p. 107.

14 H. Van Lier, "Objet et esthétique", op. cit., p. 100.

15 André Malraux, Le musée imaginaire, in Les voix du silence, La Galerie de la Pléiade, 1951, p. 42-44 (author's emphasis).

16 W. Benjamin, "L'oeuvre d'art à l'ère de sa reproductabilité technique," 1936, reprinted in Poésie et révolution, Denoël, 1971.

17 John Berger, Ways of Seeing, Penguin Books, 1972, p. 21. (Author's under ling).

18 Daniel Boorstin, L'image, Paris, U.G.E., "10/18," 1971, p. 192.

19 B. Rose, L'art américain depuis 1900, Brussels, La Connaissance, 1969, p. 226.

20 Interview with Roy Lichtenstein, in D. Waldman, Roy Lichtenstein, Milan, Mazzotta, 1971, p. 25.

21 M. Amaya, Pop Art … and after, New York, The Viking Press, 1965, p. 12.

22 See especially: D. J. Boorstin, L'image, cit.; E. Fulchignoni, La civilisation de L'image, Paris, Payot, 1969; G. Debord, La société du spectacle, Paris, Buchet-Chastel, 1967.

23 D. J. Boorstin, op. cit., p. 27.

24 G. Debord, op. cit., pp. 22-23.

25 H. Lefebvre, La vie quotidienne dans le monde moderne, op. cit., pp. 122, 206, and passim.

26 E. Morin, Le cinéma ou l'homme imaginaire, Paris, Minuit, 1956, p. 52.

27 M. Compton, Pop Art. London, Hamlyn, 1970, p. 36.

28 P. Tilman, "Dans la chambre froide…" Chorus, No.1, Paris, Autumn 1968, p. 24.

29 M. McLuhan, Understanding Media, New York, McGraw-Hill, 1964.

30 R. Berger, La mutation des signes, Paris, Denoël, 1972, p. 309.

31 E. Fulchignoni, La civilisation de l'image, op. cit., p. 42.

32 J.-P. Sartre, L'imaginaire, Paris, Gallimard, 1940, revised 1964, p. 111.

33 G. Debord, La société du spectacle, p. 9; (Author's underlining).

34 Ibid., p. 11.

35 Ibid., p. 13.

36 M. Heidegger, "La question de la technique", in Essais et conférences, Paris, Gallimard, 1968, p. 18.

37 Ibid., p. 46.

38 Cf. P. Bourdieu, "Champ intellectuel et projet créateur," Les Temps Modernes, 246. November 1966, pp. 865-906.

39 John Cage, Silence, Paris, Denoël, 1970, p. 18.

40 Marshall McLuhan, Counterblast, Paris, Mame, 1972, p. 30.

41 Marshall McLuhan, Understanding Media.

42 Marshall McLuhan, Mutations, Tours, Mame, 1969, p. 80.

43 Ibid., p. 90.

44 Marshal McLuhan, "Les vieux vêtements de l'empereur", L'objet créé par l'homme, edited by G. Kepes, Brussels, La Connaissance, 1968, p. 93.

45 K. Moffett, in "Pop Art; Two Views", Art News, May 1974, p. 32.

46 I. C. Karp, "Anti-Sensibility Painting", Artforum, September 1963, p. 27.

47 L. Alloway, American Pop Art, Whitney Museum, New York, 1974, p. 16.

48 E. Goffman, Les rites de l'interaction, Paris, Minuit, 1974.

49 J.-P. Sartre, L'idiot de la famille, volume III, Paris, Gallimard, 1972, p. 527.