Hostname: page-component-669899f699-vbsjw Total loading time: 0 Render date: 2025-04-25T16:01:00.243Z Has data issue: false hasContentIssue false
  • English
  • Français

Contemporary African Art

A Multilayered History

Published online by Cambridge University Press:  28 February 2024

Abdou Sylla
Get access

Extract

It is always pretentious to treat African art as though a unitary vision of art as it is currently practiced in Africa were possible. This point of view in fact ignores or neglects African diversity: the individual plastic art experiments of African artists. These diversities, tied to the varied contexts and rapid changes that are steadily taking place everywhere, no longer permit such claims.

Type
Research Article
Information
Diogenes , Volume 46 , Issue 184 , December 1998 , pp. 51 - 70
Copyright
Copyright © 1998 Fédération Internationale des Sociétés de Philosophie / International Federation of Philosophical Societies (FISP)

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Article purchase

Temporarily unavailable

References

Selected Bibliography

Africus: Johannesburg Biennial, 20 Feb.-30 Apr. 1995, Johannesburg, 1995.Google Scholar
2nd Johannesburg Biennial 1997, Trade Routes, 1997.Google Scholar
Aziza, Mohamed. Patrimoine culturel et creation contemporaine en Afrique et dans le monde arabe. Dakar, NEA, 1977.Google Scholar
Balafon (Air Africa Magazine) 141 (August-September 1998).Google Scholar
Biennial of Dakar, Dak'Art: Catalog Beaux-Arts: Dak'Art 92. Paris, Revue Beaux-Arts, 1992.Google Scholar
Dak'Art 96. Biennial of Contemporary African Art. Paris, Cimaise, 9-15 May 1996.Google Scholar
Cimaise 253, Art contemporain, 45th year (April 1998), Biennale de l'Art africain contemporain.Google Scholar
Catalog: Art senegalais d'aujourd'hui. Paris, Grand Palais, 1974.Google Scholar
Catalog: Art sur vie, Art contemporain du Senegal. Paris, ADEC, 1990.Google Scholar
Catalog: 5e Salon national des Arts plastiques. Dakar, Ministere de la Culture, 1992.Google Scholar
CICIBA, Art contemporain Bantu, Troisieme Biennale du CICIBA, Libreville, 1989.Google Scholar
CICIBA, Art contemporain Bantu, Quatrieme Biennale du CICIBA, BATA, 1991.Google Scholar
Gaudibert, Pierre, Art africain contemporain. Paris, Diagonales, Editions Cercle d'art, 1991.Google Scholar
Guez, Nicole, L'art africain contemporain. Guide. Paris, Association Dialogue entre les cultures, Edition, 1992- 1994.Google Scholar
Huchart, Ousmane Sow, Viye Diba. Plasticien de l 'Environement, Paris / Dakar, SEPIA-NEAS, 1994.Google Scholar
Ndiaye, Iba. Paris/Dakar, SEPIA-NEAS, 1994, no author name, p. 77.Google Scholar
Revue Noire, Art africain contemporain, Paris: no. 6, Carazoes, Sep.-Oct.-Nov. 1992; no. 7, Senegal, Dec. 1992-Jan.-Feb. 1993; no. 14, Danse, Sep.-Oct.-Nov. 1994; no. 17, Mali-Burkina-Faso-Niger, June-Jul.-Aug. 1995; no. 18, Benin, Sep.-Oct.-Nov. 1995; no. 24, Djibouti, Ethiopia, Eriteria, Jan.-Feb.-Mar. 1997; no. 27, Speciale Mode, Dec. 1997-Jan.-Feb. 1998.Google Scholar
Sankale, Sylvain, Souleymane Keita. Paris/ Dakar, SEPIA-NEAS 1994.Google Scholar
Sylla, Abdou, Pratique et Theorie de la Creation dans les Arts Plastiques senegalais contemporains. Doctoral thesis, Universite de Paris 1, 1993.Google Scholar
Sylla, Abdou, Arts Plastiques et Etat au Senegal. Dakar, IFAN-Ch.A.Diop 1998.Google Scholar