Hostname: page-component-586b7cd67f-rcrh6 Total loading time: 0 Render date: 2024-11-27T19:32:22.363Z Has data issue: false hasContentIssue false

Moving Out of the Black and Into the Blue: The Cross-referencing of Performative Metaphor in Dancing, Psychotherapy, and Writing

Published online by Cambridge University Press:  22 July 2014

Extract

Introduction: This article cross-references metaphors in therapy, performance, and writing. It is an exploration of the power of metaphor and image in a path of personal discovery. Utilizing interpretive and aesthetical modes of inquiry, I investigate my lived experience in these three activities as applied and manifested in a concert performance, “No Two Alike and Other Dances by Alan Good and Philip Grosser” (Grosser 2001a), within which I was a featured dancer. Through meta-analysis of my clinical work in therapy, deconstruction of certain sections of the dance work as it was created and performed, and a review of personal journals, text and drawings, I examine the transverse effects of the dance, psychotherapeutic processes, and writing, as well as the aesthetical concern of discovering and conveying personal voice in performance.

Type
Articles
Copyright
Copyright © Congress on Research in Dance 2005

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Edsall, Mary E. 2001a. Moving Out of the Black and Into the Blue, crayon drawing on paper with notes. Author's collection, Washington, DC.Google Scholar
Edsall, Mary E. 2001b. January 24, 2001. Journal Entries, 1969–2001. Unpublished manuscripts. Author's collection, Washington, DC.Google Scholar
Enright, Elizabeth. 1942. The Four-Story Mistake. New York: Farrar & Rinehart.Google Scholar
Freud, Sigmund. 1901. “Symptomatic and Chance Actions.” In The Basic Writings of Sigmund Freud. Translated by Brill, A.A.. New York: Modern Library, 1938: 97.Google Scholar
Freud, Sigmund. 1912. “Recommendations to Physicians Practicing Psychoanalysis.” In The Standard Edition of the Complete Psychological Works of Sigmund Freud. London: Hogarth Press, 7.Google Scholar
Frisell, Bill. 2000. Variations on a Theme (Tales from the Farside), Ghost Town. New York: Nonesuch Records. Compact disk audio recording.Google Scholar
Grosser, Philip. 2001a. “No Two Alike and Other Dances by Alan Good and Philip Grosser.” Conwell Dance Theater, Temple University, Philadelphia, 30–31 March 2001.Google Scholar
Grosser, Philip. 2001b. Urgent Package. Conwell Dance Theater, Temple University, Philadelphia, March 30–31, 2001.Google Scholar
Grosser, Philip. 2001C. Interview by author, April 25, 2001, Philadelphia. Audio cassette tape recording. Author's collection, Philadelphia.Google Scholar
Hollis, James. 2001. “Finding the Blue Light.” In Creating a Life: Finding Your Individual Path. Studies in Jungian Psychology by Jungian Analysts, no. 92. Toronto: Inner City Books.Google Scholar
Novak, Cynthia, J., 1990. Sharing the Dance: Contact Improvisation and American Culture. Madison, WI: University of Wisconsin Press.Google Scholar
Prall, Jeffrey. 2001. Interview by author, April 23, 2001, Philadelphia. Audio cassette tape recording. Author's collection, Philadelphia.Google Scholar
Rothstein, Victoria Leigh. 2001. Interview by author, April 25, 2001, Philadelphia. Audio cassette tape recording. Author's collection, Philadelphia.Google Scholar
Shusterman, Richard. 2000. “Somaesthetics and the Body/Media Issue.” In Performing Live:Aesthetic Alternatives for the Ends of Art. Ithaca, NY: Cornell University Press.CrossRefGoogle Scholar