Hostname: page-component-cd9895bd7-7cvxr Total loading time: 0 Render date: 2024-12-18T07:11:42.242Z Has data issue: false hasContentIssue false

Motion and Representation: The Language of Human Movement by Nicolas Salazar Sutil . 2015. Cambridge, MA: MIT Press. 328 pp., 52 b&w illustrations, notes, bibliography, index. $34.95 hardcover.

Review products

Motion and Representation: The Language of Human Movement by Nicolas Salazar Sutil . 2015. Cambridge, MA: MIT Press. 328 pp., 52 b&w illustrations, notes, bibliography, index. $34.95 hardcover.

Published online by Cambridge University Press:  18 August 2016

Eric Mullis*
Affiliation:
Queens University of Charlotte

Abstract

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Book Reviews
Copyright
Copyright © Congress on Research in Dance 2016 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Birringer, Johannes. 2004. “Dance and Interactivity.” Dance Research Journal 35(2): 88111.CrossRefGoogle Scholar
Birringer, Johannes. 2008. “After Choreography.” Performance Research 13(1): 118122.CrossRefGoogle Scholar
DeLahunta, Scott. 2002a. “Software for Dancers: Coding Forms.” Performance Research 7(2): 97102.Google Scholar
DeLahunta, Scott. 2002b. “Virtual Reality and Performance.” Performing Arts Journal 24(1): 105114.Google Scholar
DeLahunta, Scott, Clarke, Gill, and Barnard, Phil. 2012. “A Conversation about Choreographic Thinking Tools.Journal of Dance and Somatic Practices 3(1–2): 243259.Google Scholar
Dixon, Steve. (2007). Digital Performance: A History of New Media in Theater, Dance, Performance Art, and Installation. Cambridge: MIT Press.CrossRefGoogle Scholar
Hansen, Mark B. N. 2006. Bodies in Code: Interfaces with Digital Media. New York: Routledge.Google Scholar
Hayles, Katherine N. 1999. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Ihde, Don. 2001. Bodies in Technology. Minneapolis: University of Minnesota Press.Google Scholar
Ihde, Don. 2010. Embodied Technics. New York: Automatic Press.Google Scholar
Kozel, Susan. 2007. Closer: Performance, Technologies, Phenomenology. Cambridge, MA: MIT Press.Google Scholar
Lakoff, George, and Johnson, Mark. 2003. Metaphors We Live By. Chicago: University of Chicago Press.CrossRefGoogle Scholar
Naugle, Lisa. 1998. “Digital Dancing.” MultiMedia IEEE 5(4): 812.Google Scholar
Protopapa, Efrosini. 2013. “Choreography as Philosophy, or Exercising Thought in Performance.” In Thinking Through Dance: The Philosophy of Dance Performance and Practices, edited by Bunker, Jenny, Pakes, Anna, and Rowell, Bonnie. Hampshire, UK: Dance Books.Google Scholar
Rosenberg, Susan. 2012. “Trisha Brown's ‘Water Motor’ Forever, Now, and Again.” The Drama Review 56(1): 150157.CrossRefGoogle Scholar
Spier, Steven. 2011. “Choreographic Thinking and Amateur Bodies.” In William Forsythe and the Practice of Choreography, edited by Spier, Steven, 139150. New York: Routledge.Google Scholar