We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
MERCE CUNNINGHAM: AFTER THE ARBITRARY by Carrie Noland. 2020. Chicago: The University of Chicago Press. 304 pp., 17 color plates, 54 halftones. $35.00 paper. ISBN: 9780226541242. DOI: 10.7208/chicago/9780226541389.001.0001.
Review products
MERCE CUNNINGHAM: AFTER THE ARBITRARY by Carrie Noland. 2020. Chicago: The University of Chicago Press. 304 pp., 17 color plates, 54 halftones. $35.00 paper. ISBN: 9780226541242. DOI: 10.7208/chicago/9780226541389.001.0001.
Published online by Cambridge University Press:
02 June 2021
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)
References
Works Cited
Callahan, Daniel M. 2018. “The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham.” Journal of the American Musicological Society71 (2): 439–525.10.1525/jams.2018.71.2.439CrossRefGoogle Scholar
Copeland, Roger. 2004. Merce Cunningham: The Modernizing of Modern Dance. London: Routledge.10.4324/9780203641989CrossRefGoogle Scholar
Foster, Susan Leigh. 1986. Reading Dancing: Bodies and Subjects in Contemporary American Dance. Berkeley: University of California Press.Google Scholar
Foster, Susan Leigh. 2001. “Closets Full of Dances: Modern Dance's Performance of Masculinity and Sexuality.” In Dancing Desires: Choreographing Sexualities on and off the Stage, edited by Desmond, Jane, 147–208. Madison: University of Wisconsin Press.Google Scholar
Johnston, Jill. 1963. “Cunningham and Limón.” Village Voice, September 5, 1963.Google Scholar
Kowal, Rebekah J. 2010. How to Do Things with Dance: Performing Change in Postwar America. Middletown, CT: Wesleyan University Press.Google Scholar
Morris, Gay. 2006. A Game for Dancers: Performing Modernism in the Postwar Years, 1945–1960. Middletown, CT: Wesleyan University Press.Google Scholar