Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-25T07:39:25.108Z Has data issue: false hasContentIssue false
  • English
  • Français

Global/Mobile: Re-orienting Dance and Migration Studies

Published online by Cambridge University Press:  02 April 2012

Paul Scolieri
Paul Scolieri
Affiliation:
Guest Editor
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Introduction
Information
Dance Research Journal , Volume 40 , Issue 2 , Winter 2008 , pp. v - xx
Copyright
Copyright © Congress on Research in Dance 2008

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Amos, Deborah. 2008. “For Iraqi Refugees, Art May Be Avenue to New Life.” National Public Radio (January 4). Available at http://www.npr.org/templates/story/story.php?storyId=17853039&sc=emaf.Google Scholar
Bailey, Paul. 1971. City in the Sun: Tie Japanese Concentration Camp at Poston, Arizona. Los Angeles: Westernlorne Press.Google Scholar
Boas, Franziska. [1944] 1972. “Introductory Note.” In The Function of Dance in Human Society: A Seminar Directed by Franziska Boas. New York: Dance Horizons.Google Scholar
Butterfield, Fox. 1990. “Cambodia Troupe's Star Dancer Stays in U.S.” New York Times, October 18.Google Scholar
Caute, David. 2003. The Dancer Defects: The Struggle for Cultural Supremacy during the Cold War. New York: Oxford University Press.CrossRefGoogle Scholar
Costonis, Maureen Needham. 1991. “Martha Graham's American Document: A Minstrel Show in Modern Dance.” American Music 9 (3): 297–310.Google Scholar
Cunxin, Li. 2003. Mao's Last Dancer. New York, Putnam.Google Scholar
Daly, Ann. 1995. Done into Dance: Isadora Duncan in America. Bloomington: Indiana University Press.Google Scholar
Dunin, Elsie Ivancich. 1989. “Migrations and Cultural Identity Expressed through Dance: A Study of Dance Among South Slavs in California.” In Migrations in Balkan History, edited by Tasic, Nikola and Stosic, Dusica, 161–70. Belgrade: Institute for Balkan Studies.Google Scholar
Edmondson, Laura. 2005. “Marketing Trauma and the Theatre of War in Northern Uganda.” Theatre Journal 57: 451–74.CrossRefGoogle Scholar
Gibson, Sandra. 2006. “Concerns with Nonimmigrant Visa Processing and the Chilling Impact on Global Cultural Exchange.” Available at http://www.artspresenters.org/advocacy/ArtsPresentersTestimony.pdf.Google Scholar
Graff, Ellen. 1997. Stepping Left: Dance and Politics in New York City, 1928–1942. Durham, NC: Duke University Press.Google Scholar
Houston, Jeanne Wakatsuki. [1973] 1985. Farewell to Manzanar: A True Story of Japanese American Experience during and after the World War II Internment. New York: Bantam Books.Google Scholar
Immigration and Refugee Board of Canada. 2003. “Peru: The Dance Troupe Named Conjunto Danzantes de Tijeras Ayacucho-Peru.” December 11. Available at UNHCR Refworld, http://www.unhcr.org/cgi-bin/texis/vtx/refworld/rwmain?docid=403dd2120.Google Scholar
James, Wendy. 2000. “Reforming the Circle: Fragments of the Social History of a Vernacular African Dance Form.” Journal of African Cultural Studies 13 (2): 140–52.Google Scholar
Kaeppler, Adrienne L. 1978. “Dance in Anthropological Perspective.” Annual Review of Anthropology 7: 31–49.CrossRefGoogle Scholar
Kaiser, Tania. 2006. “Songs, Discos and Dancing in Kiryandongo, Uganda.” Journal of Ethnic and Migration Studies 32 (2): 203–22.Google Scholar
Keali'inohomoku, Joann. 1976. “A Caveat on Causes and Correlations.” CORD News 6 (2): 20–24.CrossRefGoogle Scholar
Keali'inohomoku, Joann. 1979. “Review of Dance and Human History: A Film by Alan Lomax.” Ethnomusicology 25 (1): 169–76.CrossRefGoogle Scholar
Kinetz, Erika. 2005. “The ‘Cuban Nijinsky’ Seeks Asylum and Stardom.” New York Times. (August 31). Available at http://www.nytimes.com/2005/08/31/arts/dance/31danc.html.Google Scholar
Knudsen, Jan Sverre. 2001. “Dancing Cueca ‘With Your Coat On’: The Role of Traditional Chilean Dance in an Immigrant Community.” British Journal of Ethnomusicology 10 (2): 61–83.Google Scholar
Lomax, Alan. 1971. “Choreometrics and Ethnographic Filmmaking.” Filmmakers Newsletter 4 (4): 1–14.Google Scholar
Lomax, Alan. 2003. Alan Lomax: Selected Writings, 1934–1997, edited by Cohen, Ronald D.. New York: Routledge.Google Scholar
Lomax, Alan, Bartenieff, Irmgard, and Paulay, Forrestine. 1978. “Dance, Style and Culture.” In Folk Song Style and Culture, by Lomax, Alan. New Brunswick, NJ: Transaction Books.Google Scholar
Radio Free Europe/Radio Liberty. 2007. “Iran: Clashes Highlight ‘Demonization’ of Sufi Muslims.” November 16. Available at UNHCR Refworld, http://www.unhcr.org/cgi-bin/texis/vtx/refworld/rwmain?docid=4742edf92d.Google Scholar
Savigliano, Marta E. 1995. Tango and the Political Economy of Passion. Boulder, CO: Westview Press.Google Scholar
Taylor, Julie M. 1998. Paper Tangos. Durham, NC: Duke University Press.Google Scholar
Van Aken, Mauro. 2006. “Dancing Belonging: Contesting Dabkeh in the Jordan Valley, Jordan.” Journal of Ethnic and Migration Studies 32 (2): 203–22.Google Scholar
Van Zile, Judy. 2007. “Korean Dance in Hawai'i: A Century in the Public Eye.” In From the Land of Hibiscus: Koreans in Hawai'i, 1903–1950, edited by Ch'oe, Yong-ho, 256–78. Honolulu: University of Hawai'i Press.Google Scholar
Williams, Drid. 2007. “On Choreometrics.” Visual Anthropology 20: 233–39.Google Scholar
Youngerman, Suzanne. 1974. “Review: Curt Sachs and His Heritage: A Critical Review of World History of the Dance with a Survey of Recent Studies That Perpetuate His Ideas.” CORD News 6 (2): 6–19.CrossRefGoogle Scholar