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From the Ballroom to Hell: Grace and Folly in Nineteenth-Century Dance, by Elizabeth Aldrich. Evanston, Illinois: Northwestern University Press, 1991. xix + 225 pp., illustrations. $17.95 paperbound.

Published online by Cambridge University Press:  22 July 2014

Libby Smigel
Libby Smigel
Affiliation:
Performance Initiative Penn Yan, New York
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Abstract

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Type
Reviews
Information
Dance Research Journal , Volume 24 , Issue 2 , Fall 1992 , pp. 52 - 54
Copyright
Copyright © Congress on Research in Dance 1992

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References

NOTES

1. Richardson, P.J.S., The Social Dances of the Nineteenth Century in England (London: Herbert Jenkins, 1960)Google Scholar.

2. Smigel, Elizabeth, “The Function of Dance in the Early Victorian Theatre as Represented in the Plays of Charles Selby,” (Ph.D. diss., University of Toronto, 1992), 180–81Google Scholar.

3. Rieger, Jennifer A., “The Minuet: Neoclassicism in Motion,” (M.F. A. thesis, York University, 1987)Google Scholar, passim.

4. Schneider, Gretchen, “Using Nine-teenth-Century American Social Dance Manuals,” Dance Research Journal 14 (1981–1982): 39–42CrossRefGoogle Scholar.

5. Powers, Richard, “Guidelines for Dance Research,” Country Dance and Song 17 (1987): 16–25Google Scholar.

6. Levine, Lawrence W., “Highbrow/Lowbrow: The Emergence of Cultural Hierarchy in America (Cambridge, Massachusetts: Harvard University Press, 1988)Google Scholar.