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From Seoul to Copenhagen: Migrating K-Pop Cover Dance and Performing Diasporic Youth in Social Media

Published online by Cambridge University Press:  12 May 2020

Chuyun Oh
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Abstract

This article examines the practice of the Danish K-pop (Korean pop) cover dance crew CODE9 as an example of the rapid cultural exchange on the Internet that reshapes the diffusion of dance styles and ideas. CODE9 demonstrates K-pop as a “migratory dance practice,” forming a transnational dancing community with modern technology at its center. By adapting and embodying K-pop, CODE9 creates a “Thirdspace” in between reality and fantasy, between being oneself and being a Korean idol. With CODE9, K-pop moves in and out of Denmark, through the practice of watching, learning, performing, and then circulating dance online.

Keywords

FandomK-pop Cover DanceMigratory DanceNordic Social DancePopular DanceThirdspaceYouTube
Type
Articles
Information
Dance Research Journal , Volume 52 , Special Issue 1: In and Out of Norden: Dance and the Migratory Condition , April 2020 , pp. 20 - 32
Copyright
Copyright © 2020 Dance Studies Association

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