Hostname: page-component-586b7cd67f-t7czq Total loading time: 0 Render date: 2024-11-23T19:46:44.475Z Has data issue: false hasContentIssue false

Dialogues: Genesis and Concept of Human Writes

Published online by Cambridge University Press:  02 April 2012

Extract

The following is a transcription of the presentation by Kendall Thomas, co-creator with William Forsythe of the performance installation Human Writes, followed by a discussion with Thomas Keenan and Mark Franko. Kendall Thomas's talk was given simultaneously with a screening of a silent video documentation of the work. (The reader can find moving images of Human Writes at <http://www.art-tv.ch/human_writes.html>). The panel “Rights to Move: Choreographing the Human Rights Struggle,” of which this discussion was a part, also included the participation of Leah Cox, dancer of the Bill T. Jones/Arnie Zane Dance Company. The event was curated and moderated by Mark Franko and produced by Alan Pally, and it took place at the Bruno Walter Auditorium of the New York Public Library for the Performing Arts, Lincoln Center, on October 12, 2009.

Type
Dialogues
Copyright
Copyright © Congress on Research in Dance 200

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Huschka, Sabine. 2010. “Media-Bodies: Choreography as Intermedial Thinking Through in the Work of William Forsythe.” Dance Research Journal 42 (1): 6172.CrossRefGoogle Scholar
Jackson, Naomi M., ed. 2004. Right to Dance: Dancing for Rights. Banff, Canada: Banff Centre Press.Google Scholar
Jackson, Naomi, and Phim, Toni Shapiro, eds. 2008. Dance, Human Rights, and Social Justice: Dignity in Motion. Lanham, MD: Scarecrow.Google Scholar
Keenan, Thomas. 1997. Fables of Responsibility: Aberrations and Predicaments in Ethics and Politics. Stanford: Stanford University Press.Google Scholar