Hostname: page-component-cd9895bd7-8ctnn Total loading time: 0 Render date: 2024-12-25T07:21:42.931Z Has data issue: false hasContentIssue false

Nineteenth Century Performing Indians: An Annotated Bibliography

Published online by Cambridge University Press:  22 July 2014

Extract

This bibliography grew out of a seminar entitled “Dance in the Popular Theatre in the Nineteenth Century.” A prior unfulfilled interest in the North American Indian led me to focus my search in that direction. Although a considerable amount of class time was spent in discussing the notion of “popular” art as opposed to “high” or “elite” art, this potentially problematic question did not become an issue in this search. The North American Indian's contribution to the stage definitely had the widest possible audience appeal, which may be used as a criterion for part of the definition of “popular.”

Part of the seminar experience was to introduce us to unusual sources, to encourage us to probe materials which were not generally considered the dance historian's domain. As well, we were to attempt to discover as much as possible in the Toronto area libraries, and with the aid of the interlibrary loan services, to actually handle as many potentially relevant sources as possible. An unforeseen trip to New York in mid-year extended the search and admitted the inclusion of certain documents which otherwise might have been left out.

Type
Articles
Copyright
Copyright © Congress on Research in Dance 1979

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. Barnum, P.T. Struggles and Triumphs: or, Forty Years' Recollections of P.T. Barnum. Buffalo, N.Y.: The Courier Co., 1879.Google Scholar
2. Elk, Black. Black Elk Speaks. Edited by Neihardt, John G.. Richmond Hill: Pocket Book Edition. Simon & Shuster of Canada, 1952. First edition, 1932.Google Scholar
3. Bowen, Elbert R.The Circus in Early Rural Missouri.” Missouri Historical Review 47 (October 1952): 117.Google Scholar
4. Brasmer, William. “The Wild West Exhibition and the Drama of Civilization.” In Western Popular Theatre. Edited by Mayer, David and Richards, Kenneth. The Proceedings of a Symposium sponsored by the Manchester University Department of Drama. London: Methuen & Co. Ltd., 1977.Google Scholar
5. Briggs, Harold and Ernestine, . “The Theatre in Early Kansas City.” Mid-America N.S. 20–21 (April 1950): 89103.Google Scholar
6. Burke, John. Buffalo Bill. The Noblest Whiteskin. New York: G.P. Putnam's Sons, 1973.Google Scholar
7. Burke, John M. (“John, Arizona”). “Buffalo Bill” From Prairie to Palace. An Authentic History of the Wild West. With the authority of General W.F. Cody (“Buffalo Bill”). Chicago and New York: Rand, McNally & Co., 1893.Google Scholar
8. Buffalo Bill's Wild West and Congress of Rough Riders of the World – Historical Sketches and Programme. Greater New York. n.d. New York Public Library, Performing Arts Research Center, Theater Collection.Google Scholar
9. Chindahl, George L. A History of the Circus in America. Caldwell, Idaho: The Caxton Printers, 1959.Google Scholar
10. Clum, John P.Apaches as Thespians in 1876.” New Mexico Historical Review 6 (1931): 7699.Google Scholar
11. Cody, William F. An Autobiography of Buffalo Bill. New York: Farrar & Rinehart, 1920.Google Scholar
12. Cornyn, Stan. A Selective Index to Theatre Magazine. New York and London: The Scarecrow Press, 1964.Google Scholar
13. Deahl, William E. Jr.Nebraska's Unique Contribution to the Entertainment World.” Nebraska History 49 (Autumn 1968), 283–97.Google Scholar
14. Dockstader, Frederick J. The American Indian In Graduate Studies. A Bibliography of Theses and Dissertations. New York: Museum of the American Indian, Heye Foundation, 1957.CrossRefGoogle Scholar
15. Foreman, Carolyn Thomas. Indians Abroad 1493–1938. Norman: University of Oklahoma Press, 1943.Google Scholar
16. Forepaugh, Adam. The Progress of Civilization. A souvenir program, n.p., n.d. New York Public Library, Performing Arts Research Center, Theater Collection.Google Scholar
17. Freeman, Larry. The Medicine Showman. Watkins Glen, New York: Century House, 1949.Google Scholar
18. Gibson, A.M.Sources for Research on the American Indian.” Ethnohistory 7 (1960): 121–36. Edited by Erminie Wheeler-Voegelin. Research Center for Anthropology, Folklore and Linguistics at Indiana University.CrossRefGoogle Scholar
19. Gohl, E.H.The Effect of Wild Westing.” Quarterly Journal for the Society of Americans 11 (July–September 1914): 226–28.Google Scholar
20. Griffin, Charles Eldridge. Four Years in Europe with Buffalo Bill. A Descriptive Narrative of the Big American Show's Successful Tour in Foreign Lands, Illustrated with Original Photos by the Author. Albia, Iowa: Stage Publishing Co., 1908.Google Scholar
21. Havighurst, Walter. Annie Oakley of the Wild West. New York: Macmillan Co., 1954.Google Scholar
22. Historical Biography and Libretto, Indian Congress. Pan American Exposition, 1901. New York Public Library, Performing Arts Research Center, Theater Collection.Google Scholar
23. Hoyt, Edward Jonathan. Buckskin Joe, being the unique and vivid memoirs of Edward Jonathan Hoyt, hunter-trapper, scout, soldier, showman, frontiersman, and friend of the Indians, 1840–1918. Edited by Shirley, Glenn. Lincoln: University of Nebraska Press, 1966.Google Scholar
24. Indian Rights Association. “Condemnation of Wild West Shows,” in Americanizing the American Indians. Edited by Prucha, Francis Paul. Cambridge, Massachusetts: Harvard University Press, 1973.Google Scholar
25. James, Reese D. Old Drury of Philadelphia. A History of the Philadelphia Stage 1800–1835. Including the Diary or Daily Account Book of William Burke Wood, Co-Manager with William Warren of the Chestnut Street Theatre, familiarly known as Old Drury. New York: Greenwood Press, 1968.Google Scholar
26. Laubin, Reginald and Laubin, Gladys. Indian Dances of North America: Their Importance to Indian Life. Norman: University of Oklahoma Press, 1977.Google Scholar
27. Leavitt, M.B. Fifty Years in Theatrical Management. New York: Broadway Publishing Co., 1912.Google Scholar
28. Leonard, Elizabeth Jane and Goodman, Julia Cody. Buffalo Bill: King of the Old West. New York: Library Publishers, 1955.Google Scholar
29. McBride, Emily Raymond. “The Snake Dance of the Moqui Indians.” The Theatre 13 (April 1911): 125.Google Scholar
30. McLaughlin, James. My Friend the Indian. Boston: Houghton Mifflin Co., 1910.Google Scholar
31. McNamara, Brooks. “The Indian Medicine Show.” Educational Theatre 23, no. 4 (December 1971): 431–45.CrossRefGoogle Scholar
32. Mitchell, Louise D.The Red Man – On and Off the Stage.” The Theatre 8 (June 1908): 148.Google Scholar
33. Monaghan, Jay. The Great Rascal, The Life and Adventures of Ned Buntline. Boston: Little, Brown & Co., 1952.Google Scholar
34. Morgan, Thomas J. “Wild West Shows and Similar Exhibitions.” In Americanizing the American Indians. Edited by Prucha, Francis Paul. Cambridge, Massachusetts: Harvard University Press, 1973.Google Scholar
35. O'Connor, Richard. See Burke, John.Google Scholar
36. Odell, George CD. Annals of the New York Stage. 25 Volumes. New York: Columbia University Press, 19271949.Google Scholar
37. “Out of the Long Ago; An Anthology of Old Circus Illustrations and Newspaper Clippings.” Billboard. March 21, 1914, p. 28.Google Scholar
38. Parry, Ellwood. The Image of The Indian and The Black Man in American Art, 1590–1900. New York: George Braziller, 1974.Google Scholar
39. Pettit, Paul B. The Important American Dramatic Types to 1900: A Study of the Yankee, Negro, Indian, and Frontiersman. Ph.D. Dissertation, Cornell University, 1949. Unavailable at time of research.Google Scholar
40. Red Fox, Chief William and Sherman, Lenore. “I Was With Buffalo Bill.” Real West 11 (1968): 26–28, 6465.Google Scholar
41. Rennert, Jack. 100 Years of Circus Posters. New York: Flare Books, Avon, 1974.Google Scholar
42. Risner, Vicky J. Dance Ethnography Data Inventory. A Respository of Dance Research Information on Six North American Indian Dance Cultures: Yurok, Yokut, Havasupai, Tarahumara, Crow and Ojibwa. Los Angeles: Department of Dance, UCLA, 1973.Google Scholar
43. Roose-Evans, James. London Theatre: From the Globe to the National. Oxford: Phaidon, 1977.Google Scholar
44. Royce, Anya Peterson. The Anthropology of Dance. Bloomington: Indiana University Press, 1977.Google Scholar
45. Russel, Don, ed. “Julia Cody Goodman's Memoirs of Buffalo Bill.” The Kansas Historical Quarterly 28 (Winter 1968): 442–96.Google Scholar
46. Russel, Don. The Lives and Legends of Buffalo Bill. Norman: University of Oklahoma Press, 1960.Google Scholar
47. Russel, Don. The Wild West or, A History of the Wild West Shows, Being an Account of the Prestigious, Peregrinatory Pageants Pretentiously Presented Before the Citizens of the Republic, the Crowned Heads of Europe, and Multitudes of Awe-Struck Men, Women, and Children Around the Globe, Which Created a Wonderfully Imaginative and Unrealistic Image of the American West. Fort Worth: The Amon Carter Museum of Western Art, 1970.Google Scholar
48. Ryan, Pat M.Wild Apaches in the Effete East: A Theatrical Adventure of John P. Clum.” Theatre Survey 6, no. 2 (November 1965).Google Scholar
49. Salsbury, Nate. “The Origin of the WUd West Show.” The Colorado Magazine 32 (July 1955): 204–14.Google Scholar
50. ‘Lord’George, Sanger. Seventy Years a Showman. London: J.M. Dent & Sons Ltd., 1952. First published by C. Arthur Pearson Ltd., 1910.Google Scholar
51. Sell, Henry Blackman and Weybright, Victor. Buffalo Bill and the Wild West. New York: Oxford University Press, 1955 Google Scholar
52. Shirley, Glenn. Pawnee Bill, A Biography of Major Gordon W. Lillie. Albuquerque: University of New Mexico Press, 1958.Google Scholar
53. Smith, Sol. Theatrical Management in the West and South for Thirty Years. New ed. by Tees, Arthur Thomas. New York: B. Blom, 1968.Google Scholar
54. Standing Bear, Luther. My People the Sioux. Lincoln: University of Nebraska Press, 1975. Reproduced from the 1928 edition, Houghton Mifflin Co.Google Scholar
55. Thanet, Octave. “The Trans-Mississippi Exposition.” The Cosmopolitan 25, no. 6 (October 1898): 600613.Google Scholar
56. Thorp, Raymond W.Doc Carver vs. Buffalo Bill.” Real West 10 (January 1967), 18–20, 7273.Google Scholar
57. Thorp, Raymond W. Spirit Gun of the West: The Story of Doc. W.F. Carver. Glendale, California: The Arthur H. Clark Co., 1957.Google Scholar
58. Walsh, Richard J. The Making of Buffalo Bill. A Study in Heroics. Indianapolis: The Bobbs-Merrill Co., 1928.Google Scholar
59. Webb, Harry E.My Years with Buffalo Bill's Wild West Show.” Real West 13 (January 1970): 12–14, 5255.Google Scholar
60. Wetmore, Helen Cody. The Last of the Great Scouts: The Life Story of Col. William F. Cody “Buffalo Bill.” London: Methuen & Co., 1903, 2nd edition.Google Scholar
61. Winch, Frank. Thrilling Lives of Buffalo Bill and Pawnee Bill. New York: S.L. Parsons & Co., 1911.Google Scholar
62. Yellow Robe, Chauncey. “The Menace of the Wild West Show.” The Quarterly Journal of the Society of American Indians 11 (July–September, 1914): 224–25.Google Scholar