Hostname: page-component-586b7cd67f-2brh9 Total loading time: 0 Render date: 2024-11-27T19:28:27.820Z Has data issue: false hasContentIssue false
  • English
  • Français

Dance in the City edited by Helen Thomas. New York: St. Martin's Press, 1997. xiv + 254 pp., photographs, index. $55.00 clothbound; $19.95 paperbound.

Published online by Cambridge University Press:  22 July 2014

Joellen A. Meglin
Joellen A. Meglin
Affiliation:
Temple University
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
Dance Research Journal , Volume 32 , Issue 1 , Summer 2000 , pp. 138 - 141
Copyright
Copyright © Congress on Research in Dance 2000

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Notes

1. For a full treatment of this paradigm see Lather, Patti, Getting Smart: Feminist Research and Pedagogy with/in the Postmodern (New York: Routledge, 1991)Google Scholar.

2. This volume is a sequel to Dance, Gender and Culture, ed. by Thomas, Helen (New York: St. Martin's Press, 1993)Google Scholar, which has a similar orientation. See also Meglin, Joellen A., “Feminism, the Academic Moment, and Research Rigor,” rev. of Dance, Gender and Culture, in Dance Chronicle: Studies in Dance and the Related Arts, vol. 20, no. 1 (1997): pp. 87-98.Google Scholar

3. Novack, Cynthia, “Ballet, Gender and Cultural Power,” in Dance, Gender and Culture: pp. 34-48Google Scholar; Taylor, Virginia, “Respect, Antipathy, and Tenderness: Why Do Girls ‘Go To Ballet’?,” Proceedings of the Society of Dance History Scholars Twenty-Second Annual Conference, June 1999, Albuquerque, New Mexico.Google Scholar

4. Analysis of children's ballet fictions also appears in McRobbie, Angela's “Dance Narratives and Fantasies of Achievement,” in Desmond, Jane C., ed., Meaning in Motion: New Cultural Studies of Dance (Durham: Duke University Press, 1997): pp. 207-31.Google Scholar

5. Sayers, Lesley-Anne, “‘She might pirouette on a daisy and it would not bend’: Images of Femininity and Dance Appreciation,” Dance, Gender and Culture: pp. 164-183.Google Scholar

6. This construct derives from Douglas, Mary's Purity and Danger: An Analysis of the Concepts of Pollution and Taboo (London: Routledge & Kegan Paul, 1966).CrossRefGoogle Scholar