Hostname: page-component-586b7cd67f-g8jcs Total loading time: 0 Render date: 2024-11-27T17:31:24.736Z Has data issue: false hasContentIssue false
  • English
  • Français

Greek Music - Andrew Barker: Greek Musical Writings, I: The Musician and his Art. (Cambridge Readings in the Literature of Music.) Pp. xv + 332; 17 half-tone reproductions, 4 diagrams. Cambridge University Press, 1984. £27.50.

Published online by Cambridge University Press:  16 February 2009

M. L. West
M. L. West
Affiliation:
Royal Holloway & Bedford New College, London
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Reviews
Information
The Classical Review , Volume 35 , Issue 2 , October 1985 , pp. 364 - 365
Copyright
Copyright © The Classical Association 1985

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 E.g. Alcm. 38–41, 98, Stes. 212, Carm. conv. 900, Archil. 121, Hippon. 118, Theogn. 237ff., 531–4, 757–64, 773–9, 789–94, 939–44, 1055–8.

2 E.g. Lys. 13O5ff., Eccl. 880ff./911ff.

3 ΓΕΑΣ (Studies presented to G. Thomson), 67ff.

4 Pp. 63 and 225 n. 131, on the use of the chromatic genus in tragedy; 203 n. 95 and 221 n. 110 on Mixolydian.

5 Greek words are transliterated throughout, with some inconsistency as between oi and oe, ai and ae. C.U.P.'s reader ought also to have corrected the breaking of ‘Hypophrygian’ after ‘Hypop-’ (283 n. 115), and the slip ‘Nomadoi’ for ‘Nomades’ (275).

6 Another complaint to the publisher: cross-references, especially to the longer prose passages, are maddeningly difficult to check, because the canonical page-numbers (Stephanus, Casaubon, etc.) are so discreetly hidden in the body of the text. In my copy I have thought it worth while to touch them up with an orange highlighter.