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Paolo Gallarati, La forza delle parole. Mozart drammaturgo. Turin: Einaudi, 1993. xiv + 374 pp. Giovanna Gronda, ed., Lorenzo Da Ponte: Il Don Giovanni. Turin: Einaudi, 1995. xxviii + 131 pp. Manfred Hermann Schmid, Italienischer Vers und musikalische Syntax in Mozarts Opern. Tutzing: Schneider, 1994 (Mozart Studien 4). 320 pp.

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Paolo Gallarati, La forza delle parole. Mozart drammaturgo. Turin: Einaudi, 1993. xiv + 374 pp. Giovanna Gronda, ed., Lorenzo Da Ponte: Il Don Giovanni. Turin: Einaudi, 1995. xxviii + 131 pp. Manfred Hermann Schmid, Italienischer Vers und musikalische Syntax in Mozarts Opern. Tutzing: Schneider, 1994 (Mozart Studien 4). 320 pp.

Published online by Cambridge University Press:  27 August 2008

Reinhard Strohm
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Cambridge Opera Journal , Volume 11 , Issue 2 , July 1999 , pp. 193 - 198
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Copyright © Cambridge University Press 1999

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References

1 Georgiades, Thrasyboulos, ‘Aus der Musiksprache des Mozart-Theaters’, Mozart-Jahrbuch (1950), 76–98, connected both Haydn and Mozart with Kant; see also Gallarati, pp. 15 and 43.Google Scholar

2 Referring to Starobinski, Jean, L'invention de la liberté (Geneva, 1964)Google Scholar

3 Ilia's aria ‘Se il padre perdei’ for some reason receives two different descriptions, the second of which interrupts the discussion of the following scene (pp. 165–70).

4 Stanley Sadie offers a synopsis of Act III in Rushton, Julian, ed., Idomeneo (Cambridge, 1993) 42–3.CrossRefGoogle Scholar

5 Some instruction in these matters is provided in Julian Rushton's monograph (see n. 4), 97–9.

6 See, for example, her Le passioni della ragiom. Studi sul Settecento (Pisa, 1984),Google Scholarand ‘Le peripezie di un libretto’, in Gronda, G., ed., La carriera di un librettista: Pietro Pariati da Reggio di Lombardia (Bologna, 1990), 289–737 [sic].Google Scholar

7 Feil, Arnold, Satztechnische Fragen in den Knmpositionslehren von F.E. Niedt, J. Riepel und H. Chr.Koch (Heidelberg, 1955).Google Scholar

8 For a short explanation of open-phrase structure, see Strohm, Reinhard, ‘Musical Analysis as Part of Musical History’, in Pozzi, Raffaele, ed., Tendenze e metodi nella ricerca musicologica. Atti del convegno Internazionale (Latina 27–29 settembre 1990) (Florence, 1995), 61–81.Google Scholar

9 Strohm, Reinhard, Italienische Opemarien des frühen Settecento (1720–1730), 2 vols (Cologne, 1976), 111–51.Google Scholar