Hostname: page-component-cd9895bd7-p9bg8 Total loading time: 0 Render date: 2024-12-25T16:51:00.551Z Has data issue: false hasContentIssue false
  • English
  • Français

Remapping Disability through Contested Urban Landscapes and Embodied Performances

Published online by Cambridge University Press:  23 April 2021

Gladys M. Francis
Get access Rights & Permissions [Opens in a new window]

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Keywords

BlacknessdisabilitydiseasedisparitiesembodimentepidemiologygenderHaroun Mahamat-SalehHurricane Katrinajagged dancesjazzkinaestheticsNew Orleansperformanceracesecond line paradetransgressionurban networks
Type
Book Forum on Kélina Gotman’s Choreomania: Dance and Disorder
Information
Cambridge Journal of Postcolonial Literary Inquiry , Volume 8 , Special Issue 2: Special Issue: On Postcolonial Suffering , April 2021 , pp. 277 - 285
Check for updates
Copyright
© The Author(s), 2021. Published by Cambridge University Press

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Gotman, Kélina, Choreomania: Dance and Disorder (Oxford: Oxford University Press, 2018), 278 Google Scholar.

2 Deleuze, Gilles, Différence et répétition (Paris: Presses universitaires de France, 1968)Google Scholar.

3 Foucault, Michel, “Nietzsche, Genealogy, History,” in Aesthetics, Method, and Epistemology: Essential Works of Foucault 1954–1984, ed. Faubion, James D, trans. Hurley, Robert, vol. 2 (New York: New Press, 1998), 369–91Google Scholar.

4 Murray-Román, Jeannine, Performance and Personhood in Caribbean Literature: From Alexis to the Digital Age (Charlottesville: University of Virginia Press, 2016)Google Scholar.

5 Gotman, Choreomania, 278.

6 Girard, René, Violence and the Sacred, trans. Patrick Gregory (Baltimore: Johns Hopkins University, 1977)Google Scholar.

7 Gilroy, Paul, The Black Atlantic: Modernity and Double Consciousness (Cambridge: Harvard University Press, 1993)Google Scholar.

8 Gotman, Choreomania, 277.

9 Gotman, Choreomania, 274. See also Freud, Sigmund, Totem and Taboo, trans. Brill, A. A. (New York: Vintage Books, 1946)Google Scholar.

10 Francis, Gladys M., Odious Caribbean Women and the Palpable Aesthetics of Transgression (Lanham, MD: Lexington Books, 2017)Google Scholar.

11 Lionnet, Françoise, “Geographies of Pain: Captive Bodies and Violent Acts in the Fictions of Gayl Jones, Bessie Head, and Myriam Warner-Vieyra,” in The Politics of (M)Othering: Womanhood, Identity and Resistance in African Literature, ed. Nnaemeka, Obioma (New York: Routledge, 1997)Google Scholar.

12 Sullivan, Shannon, Living Across and Through Skins: Transactional Bodies, Pragmatism, and Feminism (Bloomington: Indiana University Press, 2001)Google Scholar.

13 Taylor, Diana, The Archive and the Repertoire: Performing Cultural Memory in the Americas (Durham, NC: Duke University Press, 2003)Google Scholar.

14 Shields, Tanya L, Bodies and Bones: Feminist Rehearsal and Imagining Caribbean Belonging (Charlottesville: University of Virginia Press, 2014)Google Scholar.

15 Santoro, Daniella, “The Dancing Ground: Embodied Knowledge, Disability, and Visibility in New Orleans Second Lines,” in The Oxford Handbook of Music and Disability Studies, ed. Howe, Blake, et al. (Oxford University Press, 2016), 305–26Google Scholar.

16 Santoro, “The Dancing Ground,” 307.

17 See Regis, Helen A, “Second Lines, Minstrelsy, and the Contested Landscapes of New Orleans Afro-Creole Festivals,” Cultural Anthropology 14.4 (1999): 472–504 CrossRefGoogle Scholar. See also Breunlin, Rachel and Regis, Helen, “Putting the Ninth Ward on the Map: Race, Place, and Transformation in Desire, New Orleans,” American Anthropologis 108.4 (2006): 744–64CrossRefGoogle Scholar.

18 Santoro, “The Dancing Ground,” 308–09.

19 Santoro, “The Dancing Ground,” 308–09.

20 Fjord, Lakshmi, “Disasters, Race, and Disability: [Un]Seen Through the Political Lens on Katrina,” Journal of Race and Policy 3.1 (2007): 7–27 Google Scholar.

21 Santoro, “The Dancing Ground,” 315.

22 Rachel Carrico, “On the Street and in the Studio: Decentering and Recentering Dance in the New Orleans Second Line,” Paper presented at the joint meetings of the Society of Dance History Scholars and the Congress on Research in Dance, Riverside, California, November 14–17, 2013.

23 Regis, “Second Lines, Minstrelsy, and the Contested Landscapes of New Orleans Afro-Creole Festivals,” 1999.

24 Santoro, “The Dancing Ground,” 310–18.

25 Santoro, “The Dancing Ground,” 321.

26 Santoro, “The Dancing Ground,” 312.

27 Santoro, “The Dancing Ground,” 312.

28 Silvers, Anita, “Feminist Perspectives on Disability,” Stanford Encyclopedia of Philosophy, ed. Zalta, Edward N., 2009. Revised August 29, 2013Google Scholar.

29 See Murphy, Robert, “Encounters: The Body Silent in America,” in Disability and Culture, eds. Benedicte Ingstad and Susan Reynolds White (Berkeley: University of California Press, 1995), 140–57CrossRefGoogle Scholar, and Murphy, Robert, The Body Silent (New York: Henry Holt and Company, 1987)Google Scholar. See also Albright, Ann Cooper, “Strategic Abilities: Negotiating the Disabled Body in Dance.” Michigan Quarterly Review on Disability, Art, and Culture (Part Two) 37.3 (1998): 475–501 Google Scholar.

30 Siebers, Tobin, Disability Aesthetics (Ann Arbor: University of Michigan Press, 2010)CrossRefGoogle Scholar.

31 Albright, “Strategic Abilities.”

32 Gotman, Choreomania, 307.

33 Boster, Dea H, African American Slavery and Disability: Bodies, Property, and Power in the Antebellum South (New York: Routledge, 2013)CrossRefGoogle Scholar.

34 Murray, David A. B., Opacity: Gender, Sexuality, Race, and the “Problem” of Identity in. Martinique (New York: Peter Lang, 2002)Google Scholar.

35 Fjord, “Disasters, Race, and Disability.”

36 Fjord, “Disasters, Race, and Disability,”10.

37 See Luc Boltanski, Distant Suffering: Morality, Media and Politics, trans. G. Burchell (Cambridge: Cambridge University Press, 1999). See also Necati Polat, “Poststructruralism, Absence, Mimesis: Making Difference, Reproducing Sovereignty,” European Journal of International Relations 4.4 (1998): 447–77.

38 Strauss, David Levi, Between the Eyes: Essays on Photography and Politics (New York: Aperture, 2012), 45 Google Scholar.

39 Debord, Guy, La Société du Spectacle (Paris: Gallimard, 1992), 4 Google Scholar.

40 Fjord, “Disasters, Race, and Disability,”14.

41 Garland-Thomson, Rosemarie, ed., Freakery: Cultural Spectacles of the Extraordinary Body (New York: New York University Press, 1996)Google Scholar.

42 Butler, Judith, Excitable Speech: A Politics of the Performative (New York: Routledge, 1997)Google Scholar.

43 Fjord, “Disasters, Race, and Disability,” 14.

44 Fjord, “Disasters, Race, and Disability,” 14.

45 Fjord, “Disasters, Race, and Disability,” 21.

46 Fjord, “Disasters, Race, and Disability,” 21.

47 Fjord, “Disasters, Race, and Disability,” 16.

48 Fjord, “Disasters, Race, and Disability,” 24.

49 Fjord, “Disasters, Race, and Disability,” 25.

50 Albright, “Strategic Abilities.”

51 Grigris. Directed by Haroun Mahamat-Saleh. Pili Films, 2013.

52 Mahamat-Saleh Haroun, “Mahamat-Saleh Haroun, réalisateur de Grigris: Un film de danse qui bascule dans le milieu des trafiquants,” interview by Laurent Rigoulet, Télérama Cinéma (https://www.telerama.fr/cinema/mahamat-saleh-haroun-realisateur-de-grigris-un-film-de-danse-qui-bascule-soudain-dans-le-milieu-des-trafiquants,99948.php).

53 Haroun, “Mahamat-Saleh Haroun, réalisateur de Grigris.”

54 LaCapra, Dominick, History in Transit: Experience, Identity, Critical Theory (Ithaca, NY: Cornell University Press, 2004), 46 CrossRefGoogle Scholar.

55 LaCapra, History in Transit.

56 See Francis, Odious Caribbean Women and the Palpable Aesthetics of Transgression, 2017. See also Michel Foucault, “How an ‘Experience-Book Is Born,’” in Remarks on Marx: Conversations with Duccio Trombadori, trans. R. James Goldstein and James Cascaito (New York: Semiotext, 1991), and Michel Foucault, Surveiller et punir: Naissance de la Prison (Paris: Gallimard, 1975).

57 hooks, bell, “Eating the Other: Desire and Resistance,” Black Looks: Race and Representation (Boston: South End, 1992), 336 Google Scholar.

58 Fjord, “Disasters, Race, and Disability.”

59 Foucault, “How an ‘Experience-Book Is Born,’” 38–40.

60 Foucault, “How an ‘Experience-Book Is Born,’” 36.

61 Carey, James, Communication as Culture: Essays on Media and Society (New York: Routledge, 1989)Google Scholar.

62 Mikhail Bakhtin, The Dialogic Imagination: Four Essays of M. M. Bakhtin, ed. Michael Holquist, trans. Caryl Emerson and Michael Holquist (Austin: University of Texas Press, 1981).