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“The Poe Test: Global English and The Gold Bug”

Published online by Cambridge University Press:  30 December 2019

Abstract

This essay examines the production of Global English through literary texts by examining three adaptations of Edgar Allan Poe’s short story “The Gold Bug” in the 1930s by competing figures in the vocabulary control movement—Harold Palmer, Michael West, and C. K. Ogden—leaders in the formation of the field of applied linguistics. The first part of the essay explains the colonial origins of the vocabulary word list and its ascendant value in the interwar period for the new discipline of applied linguistics, and as part of the competition for English language textbooks. This leads to an analysis of these three simplifications of Poe’s story that demonstrates how the language politics in Poe’s story provides a structure through which to express a nascent Global English ideology regarding race, vernacular, and auxiliary languages.

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Articles
Copyright
© Cambridge University Press, 2019

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References

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10 For the purposes of this article, I use adaptation as a generic term and use their respective terminologies when describing them specifically.

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33 Palmer, The Grading and Simplifying of Literary Material. Emphasis mine.

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37 The phrase “traduction positive” quoted in Benoit Léger, “Traduction négative et traduction littérale: les traducteurs de Poe en 1857,” Études françaises 432 (2007): 97.

38 Léger, “Traduction négative et traduction littérale: les traducteurs de Poe en 1857,” 98.

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43 West, The Gold Bug, 20.

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51 For cultural associations with Legrand’s methods of deduction see Rosenheim, Shawn, The Cryptographic Imagination: Secret Writing from Edgar Poe to the Internet (Baltimore: Johns Hopkins University Press, 1997)Google Scholar.

52 Poe, “The Gold Bug,” 841.

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