Hostname: page-component-586b7cd67f-dsjbd Total loading time: 0 Render date: 2024-11-24T03:42:44.645Z Has data issue: false hasContentIssue false
  • English
  • Français

From Impasse to Operative

Published online by Cambridge University Press:  07 January 2019

Aarthi Vadde
Get access Rights & Permissions [Opens in a new window]

Abstract

Aarthi Vadde is an associate professor of English at Duke University. She is author of Chimeras of Form: Modernist Internationalism beyond Europe, 1914–2016, which was the winner of the 2018 Harry Levin Prize awarded by the ACLA. She is at work on a second monograph tentatively titled The Amateur Spirit: Contemporary Literature in the Sharing Economy and is co-editing a collection entitled The Critic as Amateur.

Type
Book Forum on Aarthi Vadde’s Chimeras of Form
Information
Cambridge Journal of Postcolonial Literary Inquiry , Volume 6 , Issue 1 , January 2019 , pp. 133 - 139
Copyright
© Cambridge University Press 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1 Tharoor Srinivasan, Ragini, “Introduction: South Asia from Postcolonial to World Anglophone,” Interventions 20.3 (2018): 309–316 CrossRefGoogle Scholar .

2 Aarthi Vadde, “Scalability,” Modernism/Modernity (PrintPlus, January 2, 2018). Available online at: https://doi.org/10.26597/mod.0035; Nicole Rizzuto, “Global Modernism at Sea: Maritime Labor and Surface Reading in Richard Hughes’s In Hazard,” Modernism/Modernity (PrintPlus, January 2, 2018). Available online at: https://doi.org/10.26597/mod.0040.

3 I’m thinking here of Cleary, Joe, Esty, Jed, and Lye, Colleen, eds., “Peripheral Realisms,” special issue of MLQ 73.3(2012)Google Scholar .

4 Vadde, Aarthi, “Guidance in Perplexity: Recasting Postcolonial Politics in J. M. Coetzee’s Elizabeth Costello ,” Ariel 41.3–4 (2011): 231–247 Google Scholar .

5 See, for example, McClintock, Anne, “The Angel of Progress: Pitfalls of the Term ‘Post-colonialism,’” Social Text 31/32 (1992): 84–98 CrossRefGoogle Scholar ; Shohat, Ella, “Notes on the ‘Postcolonial,’” Social Text 31/32 (1992): 99–113 CrossRefGoogle Scholar ; Dirlik, Arif, “The Postcolonial Aura: Third World Criticism in the Age of Global Capitalism,” Critical Inquiry 20 (1994): 328–356 CrossRefGoogle Scholar ; Mukherjee, Meenakshi and Trivedi, Harish, eds., Interrogating Post-colonialism (Shimla, India: India Institute of Advanced Study, 1996)Google Scholar .

6 Berlant, Lauren, Cruel Optimism (Durham, NC: Duke University Press, 2011)CrossRefGoogle Scholar ; Cvetkovich, Ann, “Public Feelings,” South Atlantic Quarterly 106.3 (2007): 459–468 CrossRefGoogle Scholar . Feel Tank Chicago is one example of an alternative kind of political organization, a play on the think tank that places feeling and aesthetic response at the center of political critique and activism.

7 See Vadde, Aarthi, “Amateur Creativity: Contemporary Literature and the Digital Publishing Scene,” New Literary History 48.1 (2017): 27–51 CrossRefGoogle Scholar . Also, Micir, Melanie and Vadde, Aarthi, “Obliterature: Toward an Amateur Criticism,” Modernism/Modernity 25.3 (2018): 517–549 CrossRefGoogle Scholar .

8 Walter Benjamin, “The Author as Producer,” trans. John Heckman, New Left Review 62 (1970): 2.

9 Ibid., 3.

10 Ibid., 4.