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Published online by Cambridge University Press: 28 February 2013
Sophocles' Philoctetes, first performed in 409 BCE, is a complex play, engaging with a number of issues that have guaranteed it a great deal of attention through the ages. Among other things, from what we know about the Aeschylean and Euripidean versions, Sophocles offers a far more dynamic work than either of the other two playwrights, involving many plot twists, false resolutions, and, all-but uniquely, a character who seems to grow up in the course of the play. Although Philoctetes is generally considered the key figure of the play, as it revolves around his willingness to use his bow in the service of his enemies, Neoptolemus too is of great interest to many (modern) readers, as it is in him that we see the clearest case in extant tragedy of a decision rethought on moral grounds; Neoptolemus' struggle may well render him one of the most compelling characters in Greek tragedy (Reinhardt (1979) 166; cf. Gill (1996) 1–18).