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Published online by Cambridge University Press: 29 August 2014
John Toland's Description of Epsom (1711) is one of the most remarkable creative responses, ancient or modern, to Pliny's Epistles. Drawing on the villa letters and the collection as a whole for both topographical description and self-styling, Toland moulds himself after an intensely ruralist – and strikingly Horatian – Pliny. This article reads Epsom together with Toland's translations from the Epistles (1711–12) as a case study in reception which can also shed fresh light on Pliny's own epistolary self-portraiture.
This article originated in a chance encounter in the Rare Books Room of Cambridge University Library. That I had time to pursue it is due to the generous support of the Alexander von Humboldt-Stiftung. My thanks to Emily Gowers, John Henderson, Michael Squire and an anonymous reader for the Cambridge Classical Journal for their helpful comments on a draft.