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Cavafy’s Barbarians and their Western Genealogy

Published online by Cambridge University Press:  22 January 2016

Dimitris Tziovas*
Affiliation:
Centre for Byzantine Studies and Modern Greek, University of Birmingham

Extract

‘Waiting for the Barbarians’ is probably the most discussed of Cavafy’s poems after ‘The God abandons Antony’. Its sources, its date of composition and its diachronic symbolism, along with Cavafy’s unfathomable intentions, have generated a large number of interpretations and debates. Reading the poem today one cannot escape from these layers of interpretation, a kind of metadiscourse which regulates the new approaches either compliant or defiant to those already existent. It seems that the accumulated interpretations of a literary text sometimes discomfort those who seek stable and obvious meanings rather than a multiplicity of opinions and conflicting approaches. The very bulk of scholarship related to a certain poem or poet discourages a new reading and makes the critic hesitant and apprehensive. Nevertheless the diversity of interpretive approaches helps us both to realize their relativity and to ascribe them entirely to the various interpreters.

Type
Research Article
Copyright
Copyright © The Centre for Byzantine, Ottoman and Modern Greek Studies, University of Birmingham 1986

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Les philosophes: Le monde n’a pas d’âge. L’humanité se déplace, simplement. Vous êtes en Occident, mais libre d’habiter dans votre Orient, quelque ancient qu’il vous le faille, — et d’y habiter bien. Ne soyez pas un vaincu. Philosophes, vous êtes de votre Occident.” (p. 113)

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33. Hayden White, in his attempt to reconstruct the genealogy of the Wild Man myth, argues that concepts such as barbarism and wildness “arise out of the need for men to dignify their specific mode of existence by contrasting it with those of other men, real or imagined, who merely differed from themselves” (‘The Forms of Wildness: Archaeology of an Idea’, in Dudley, E. & Novak, M.F., eds., The Wild Man within: An Image in Western Thought from the Renaissance to Romanticism (Pittsburgh 1972) 5 Google Scholar. He also points out that the Wild Man and the barbarian represented different kinds of threats especially during the Middle Ages. The former represented a threat to individual whereas the latter a threat to society to civilization and to racial excellence.

34. See Emile Durkheim’s Le Suicide (1897) and his thesis De la division du travail social (1893).