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Design Piracy in the Fashion Industries of Paris and New York in the Interwar Years

Published online by Cambridge University Press:  28 June 2011

Véronique Pouillard
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Abstract

During the Great Depression, counterfeiters of the newest styles posed a challenge to the high-fashion designers who dominated Parisian design. Meanwhile, New York, traditionally the destination of the first corporate buyers of Paris couture, became a potential contender for the role of fashion capital. Scrutiny of French and American laws reveals that strong national interests were at stake in the fashion business. In France, the law safeguarded copyrights of fashion design while, in the United States, legislators denied such protection to American fashion.

Type
Research Article
Information
Business History Review , Volume 85 , Issue 2 , Summer 2011 , pp. 319 - 344
Copyright
Copyright © The President and Fellows of Harvard College 2011

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