Over Northern India from Delhi to Patna, there is no more popular story than that contained in the cycle of ballads called the Ālh-Khand. This is a long epic poem in twenty-three cantos, composed in the Bunēlī dialect of Western Hindī, telling in rude ballad metre of the exploits of the famous Ālhā and Ūdan, and sung by wandering minstrels known as Ālhā-gānēwālās, or “Singers of Ālhā”. Up to the middle of the last century the cycle does not appear to have ever been reduced to writing, as was the lot of the more elaborate productions of the professional Rajput bards, and few, if any, of its reciters are masters of the whole; but in the eighteen-sixties Mr. C. A. Elliott (afterwards Sir Charles Elliott), when stationed at Farrukhabad, near the ancient city of Kanauj, found three or four of these minstrels, and employed one of them to compile a complete set of the twentythree ballads from their joint memories. The poem thus rescued was printed, and its great popularity is shown by the fact that it has passed through many editions, and can be purchased in the bazaars written either in the Nāgarī or in the Persian character.