Hostname: page-component-586b7cd67f-gb8f7 Total loading time: 0 Render date: 2024-11-23T22:46:22.221Z Has data issue: false hasContentIssue false

Seeking the female, through the holistic study of music

Published online by Cambridge University Press:  18 December 2008

Abstract

In our efforts to break the vicious circle of gender inequality in the culture of the classroom, we need to pay attention particularly to the implications for music of the statutory requirements for Equal Opportunities in schools, and also to those elements of teacher training that will equip musicians to deal with this aspect of the curriculum. The author emphasises the importance of teaching from a feminist standpoint, wherever possible using examples of women's music for analysis and for historical and ethnomusicological studies. Possibly the most problematic area – and one that now clearly needs research – is the identification of a female aesthetic in the repertoire of music for study and performance.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1993

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Attali, J. trans. Massumi, B. (1985) Noise, the Political Economy of Music. Manchester, Manchester University Press.Google Scholar
Barthes, R. trans. Heath, S. (1979). Image - Music - Text. London, Fontana.Google Scholar
Glynne-Jones, M. (1992). Music (in Myers, K. Genderwatch. Cambridge. Cambridge University Press).Google Scholar
Leonard, D. (1990) Women Teachers: Issues and Experiences (in Gender and Initial Teacher Training. Milton Keynes, Open University Press.Google Scholar
Leppert, R. & Mcclary, S. (Eds) (1987) Music and Society. Cambridge, Cambridge University Press.Google Scholar
Lomax, A. (1968) Folk Song, Style and Culture Washington D.C.Google Scholar
Middleton, R. (1990) Studying Popular Music. Milton Keynes, Open University Press.Google Scholar
Moore, A. (1993) Rock: The Primary Text. Buckingham, Open University Press.Google Scholar
Shepherd, J. (1987) Music and Male Hegemony (in Leppert, R. & McClary, S. [eds] Music and Society. Cambridge University Press).Google Scholar
Shepherd, J. (1991) Music as Social Text. Cambridge, Polity Press.Google Scholar
Shepherd, J. (1992) Music as Cultural Text (in Paynter, J.et al. Companion to Contemporary Musical Thought. London. Routledge).Google Scholar