Hostname: page-component-586b7cd67f-rdxmf Total loading time: 0 Render date: 2024-11-23T17:31:41.089Z Has data issue: false hasContentIssue false

Musical culture and the primary school: an investigation into parental attitudes to Whole Class Ensemble Teaching in the English primary school and potential impacts on children’s musical progress

Published online by Cambridge University Press:  28 October 2019

Anthony Anderson*
Affiliation:
Centre for the Study of Practice and Culture in Education, Faculty of Health, Education, and Life Sciences, Birmingham City University, Westbourne Road, Edgbaston, Birmingham B15 3TN, UK
Sarah Barton-Wales
Affiliation:
Leicester-Shire Schools Music Service, Leicestershire County Council, Room G10, County Hall, Glenfield, Leicester LE3 8RA, UK
*
Corresponding author: Email: [email protected]

Abstract

Musical cultures in primary schools are influenced by motivators which include intrinsic and extrinsic factors. Whole Class Ensemble Teaching (WCET) as realised through provision from Music Education Hubs in England is an extrinsic factor which has been widely influential. This article explores the dynamics in play in parental engagement in music provision, as realised through domains of musical value and progression in the context of WCET provision. It presents research, based on data from one primary school in the English Midlands, drawing on responses from children, parents, the WCET teacher and the head teacher of the school. The research used semi-structured interviews and graphical elicitation as research methodologies to create a conceptual map of theoretical perspectives for parental responses to WCET and suggests that triangulating motivating influences from parents, WCET and learners remain an emergent domain.

Type
Articles
Copyright
© Cambridge University Press 2019 

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ANDRES, L., & WYN, J. (2010). The Making of a Generation: The Children of the 70’s in Adulthood. Toronto: Toronto University Press.CrossRefGoogle Scholar
ASHBOURNE, D., & ANDRES, L. (2015). Athletics, music, languages, and leadership: How parents influence the extracurricular activities of their children. Canadian Journal of Education, 38(2), 334.CrossRefGoogle Scholar
AUST, R. A., & VINE, L. (2007). Taking Part: The National Survey of Culture, Leisure and Sport: Annual Report 2005/2006. London: Department for Culture, Media and Sport.Google Scholar
BASSEY, M. (1999). Case Study Research in Educational Settings. Buckingham: Open University Press.Google Scholar
BERA (2011). Ethical Guidelines for Educational Research. London: BERA.Google Scholar
BOWMAN, W. (2014). The ethical significance of music making. https://jfin107.wordpress.com/scholarly-paper-the-ethical-significance-of-music-making-bywayne-bowman/. Accessed 7 August 2018.Google Scholar
BRANDSTROM, S. (2000). For whom is music education intended? Bulletin of the Council for Research in Music Education, 147, 3639.Google Scholar
DAVIDSON, J. W., SLOBODA, J. A., & HOWE, M. J. A. (1996). The role of parents and teachers in the success and failure of instrumental learners. Bulletin of the Council for Research in Music Education, 127(1), 4044.Google Scholar
DENSCOMBE, M. (2010). The Good Research Guide for Small Scale Social Research Projects (4th ed.). Berkshire: Open University Press.Google Scholar
DEPARTMENT FOR EDUCATION (2011). The Importance of Music: A National Plan for Music Education. London: Crown Copyright.Google Scholar
DEPARTMENT FOR EDUCATION (2013). Music Programmes of Study: Key Stage 3. London: Crown Copyright.Google Scholar
FAUTLEY, M. (2017). Music education: Why bother? British Journal of Music Education, 34(1), 13.CrossRefGoogle Scholar
FAUTLEY, M., KINSELLA, V., & WHITTAKER, A. (2017). Whole Class Ensemble Teaching Research Report. Birmingham: Faculty of Health, Education and Life Sciences, Birmingham City University.Google Scholar
FAUTLEY, M., & WHITTAKER, A. (2016). Key Data on Music Education Hubs 2016. Birmingham: Birmingham City University.Google Scholar
GIBB, N. (2017). Letter to Arts Council Following Music Hubs Review. London: Department for Education.Google Scholar
HALLAM, S. (2002). Musical motivation: Towards a model synthesising the research. Music Education Research, 4(2), 225244.CrossRefGoogle Scholar
HALLAM, S. (2016). Whole Class Ensemble Teaching (WCET) Final Report. London: UCL Institute of Education and Music Mark – The UK Association for Music Education.Google Scholar
HALLAM, S., CREECH, A., & MCQUEEN, H. (2017). Can the adoption of informal approaches to learning music in school music lessons promote musical progression? British Journal of Music Education, 34(2), 127.CrossRefGoogle Scholar
HENLEY, D. (2011). Music Education in England. London: Department for Culture, Media and Sport.Google Scholar
KINSELLA, V., FAUTLEY, M., & WHITTAKER, A. (2019). Exchanging Notes Research Report. Birmingham: Birmingham City University.Google Scholar
KVALE, S. (1996). Interviews: An Introduction to Qualitative Research Interviewing. Thousand Oaks: Sage.Google Scholar
LAMONT, A. (2011). The beat goes on: Music education, identity and lifelong learning. Music Education Research, 13(4), 369388.CrossRefGoogle Scholar
LAREAU, A. (2003). Unequal Childhoods: Class, Race and Family Life. Berkeley: University of California Press.Google Scholar
MACDONALD, A. R., HARGREAVES, D.J., & MIELL, D. (2002). Musical Identities. Oxford: Oxford University Press.Google Scholar
MCPHAIL, G. (2012). From singular to overcrowded region: Curriculum change in senior secondary school music in New Zealand. British Journal of Music Education, 29(1), 4357.CrossRefGoogle Scholar
MUSIC COMMISSION (MC) (2019). Retuning Our Ambition for Music Learning. London: ABRSM and ACE.Google Scholar
MUSICAL PROGRESSIONS ROUNDTABLE (MPR) (2012). http://www.musical-progressions.org/. Accessed 4 February 2018.Google Scholar
NEWBY, P. (2010). Research Methods for Education. London: Pearson.Google Scholar
OFSTED (2013). Music in Schools: What Hubs Must Do. London: Crown Copyright.Google Scholar
PAYNER, J. (1992). Sound and Structure. Cambridge: Cambridge University Press.Google Scholar
PHILPOTT, C. (2017). Assessment, musical meaning and the music classroom. Unpublished paper presentation at the Sixth International Symposium on Assessment in Music Education, Birmingham City University, Birmingham, UK.Google Scholar
PITTS, S. (2017). What is music education for? Understanding and fostering routes into lifelong musical engagement. Music Education Research, 19(2), 160168.CrossRefGoogle Scholar
POLE, C., & LAMPARD, R. (2002). Practical Social Investigation: Qualitative and Quantitative Methods in Social Research. Harlow: Prentice Hall.Google Scholar
REEVES, A. (2015). ‘Music’s a Family Thing’: Cultural socialisation and parental transference. Cultural Sociology, 9(4), 493514.CrossRefGoogle Scholar
REGELSKI, T.A. (2002). Musical values and the value of music education. Philosophy of Music Education Review, 10(1), 4955.Google Scholar
ROBSON, C. (2011). Real World Research (3rd ed.). West Sussex: John Wiley & Sons.Google Scholar
ROUSE, L. (2013). A change of view: Using visual methods to explore experience in qualitative research. http://blog.efpsa.org/2013/05/15/a-change-of-view-using-visual-methods-to-explore-experience-in-qualitative-research/. Accessed: 25 January 2018.Google Scholar
RYAN, R. M., & DECI, E. L. (2000). Intrinsic and extrinsic motivations: Classic definitions and new directions. Contemporary Educational Psychology, 25(1), 5467.CrossRefGoogle ScholarPubMed
SCHERGER, S., & SAVAGE, M. (2010). Cultural transmission, educational attainment and social mobility. The Sociological Review, 58(3), 406428.CrossRefGoogle Scholar
SICHIVITSA, V. O. (2007). The influences of parents, teachers, peers and other factors on students’ motivation in music. Research Studies in Music Education, 29(1), 5568.CrossRefGoogle Scholar
SLOBODA, J. A. (1991). Music structure and emotional response: Some empirical findings. Psychology of Music, 19(2), 110120.CrossRefGoogle Scholar
SOSNIAK, L. A. (1985). Learning to be a concert pianist. In Bloom, B. S. (ed.), Developing Talent in Young People. New York: Ballentine.Google Scholar
STAKE, R. E. (1995). The Art of Case Study Research. Thousand Oaks: Sage.Google Scholar
SWANWICK, K. (1994). Musical Knowledge: Intuition, Analysis and Music Education. London: Routledge.Google Scholar
TAYLOR, N. (2018). The best way to learn to play a musical instrument: Who, what and why. http://www.psychreg.org/learn-musical-instrument/. Accessed 2 February 2018.Google Scholar
THOMAS, G. (2017). How to Do Your Research Project: A Guide for Students (3rd ed.). London: Sage.Google Scholar
WALL, K. (2014). How to do visual data. https://www.academia.edu/7616324/How_to_do_visual_methods. Accessed 10 June 2018.Google Scholar
WALL, K., HALL, E., & WOOLNER, P. (2012). Visual methodology: Previously, now and in the future. International Journal of Research & Method in Education, 35(3), 223226.CrossRefGoogle Scholar
YIN, R. K. (2009). Case Study Research: Design and Methods (4th ed.). Thousand Oaks: Sage.Google Scholar