Hostname: page-component-586b7cd67f-2plfb Total loading time: 0 Render date: 2024-12-01T02:22:17.168Z Has data issue: false hasContentIssue false

Music in Scottish Secondary Schools: Towards a New Vision

Published online by Cambridge University Press:  18 December 2008

Abstract

This is the story of a remarkable change in approach to musical education which has taken place in Scottish secondary schools during recent years.

Readers will bear in mind that the system of education in Scotland is independent of, and different from, that established in England. It is administered locally by education authorities which, together with head-teachers, are responsible for the curriculum taught within the schools. The Secretary of State for Scotland, nevertheless, retains an overall responsibility for the structure and balance of the school curriculum, which he fulfils by providing education authorities and head-teachers with general advice and guidance on curriculum matters. He is advised on these matters by HM Inspectorate of Schools (Scotland) and by the Consultative Committee on the Curriculum. The Consultative Committee on the Curriculum, in turn, is advised on musical matters by its subcommittee, the Scottish Central Committee on Music. Two external examinations, Ordinary and Higher Grades – taken at ages 16 and 17 respectively – are the responsibility of the Scottish Examination Board.

Scotland has a population of some five and a half million people. It has four professional orchestras – two with international reputations – professional opera and ballet companies, national youth brass and wind bands, and orchestra. There are over four hundred secondary schools. Instruction in music has been a feature of Scottish schools for centuries.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1985

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Paynter, John and Aston, Peter (1970) Sound and Silence. Cambridge: University Press.Google Scholar
Scottish Curriculum Development Service (1981) The Organisation of Practical Music in the Classroom. Dundee: S.C.D.S.Google Scholar
S.C.D.S. (1982) Music Provision in Scottish Secondary Schools. Dundee: S.C.D.S.Google Scholar
S.C.D.S. (1983) Towards a Balanced Curriculum. Dundee: S.C.D.S.Google Scholar
S.C.D.S. (1984) Music for All. Dundee: S.C.D.S.Google Scholar
Scottish Education Department (1960) The Teaching of Music in Secondary Schools. Edinburgh: H.M.S.O.Google Scholar
S.E.D. (1965) The Primary School in Scotland. Edinburgh: H.M.S.O.Google Scholar
S.E.D. (1977) Assessment for All. Edinburgh: H.M.S.O.Google Scholar
S.E.D. (1977) The Structure of the Curriculum in the Third and Fourth Years of the Scottish Secondary School. Edinburgh: H.M.S.O.Google Scholar
S.E.D. (1978) Music in Scottish Schools. Edinburgh: H.M.S.O.Google Scholar
S.E.D. (1983) 16–18 in Scotland. An Action Plan. Edinburgh: S.E.D.Google Scholar
Scottish Examination Board (1984) Experimental Guidelines in Music. Dalkeith: S.E.B.Google Scholar
S.E.B. Conditions and Arrangements. Published annually, Glasgow: Robert Gibson.Google Scholar
Witkin, Robert (1974) The Intelligence of Feeling. London: Heinemann.Google Scholar