Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-25T16:43:07.902Z Has data issue: false hasContentIssue false

Music achievements of being an English chorister

Published online by Cambridge University Press:  09 August 2021

Lan Dong*
Affiliation:
School of Education, Durham University, Durham, UK
Dimitra Kokotsaki
Affiliation:
School of Education, Durham University, Durham, UK
*
Corresponding author. Email: [email protected]

Abstract

This study aims to highlight the uniqueness of the English choristers’ education, what special musical skills it passes on to youngsters and how these may help them in later life. It investigates the perceptions of 30 ex-choristers who attended a broad selection of English choir schools between 1940 and 2010 using semi-structured interviews. The findings showed that music training of choristers forms a solid foundation to enhance the development of an all-round musicianship. In particular, it gives them significant sight-reading skills due to the huge volume of rehearsals and public performances. Although in most cases their instrumental skills are not sufficient for them to become professional soloists in their instrument, many ex-choristers found it relatively easy to achieve a music scholarship or pursue a music career if they wanted. Many of them retained a passion for music which was not necessarily limited to choral singing. The findings are considered in relation to the possible reasons for this, and the implications for education.

Type
Article
Copyright
© Cambridge University Press 2021

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

ASHLEY, M. (2013). The English Choral tradition and the secular trend in boys’ pubertal timing. International Journal of Research in Choral Singing, 4(2), 427.Google Scholar
BARRETT, M. S. (2011). On being and becoming a cathedral chorister: a cultural psychology account of the acquisition of early musical expertise. In Barrett, M. S. (ed.), A Cultural Psychology of Music Education (pp. 259288). Oxford: Oxford University Press.Google Scholar
BARRETT, M. S. & MILLS, J. (2009). The inter-reflexive possibilities of dual observation: an account from and through experience. International Journal of Qualitative Studies in Education, 22(4), 417429.CrossRefGoogle Scholar
BOYATZIS, R. E. (1998). Transforming Qualitative Information: Thematic Analysis and Code Development. London: Sage.Google Scholar
COHEN, L., MANION, L. & MORRISON, K. (2011). Research Methods in Education. London and New York: Routledge.Google Scholar
DAY, T. (2014). Where did the boy treble come from? Journal of the Royal College of Organists, 8, 8290.Google Scholar
DONG, L. (2018). Lifelong Influences of Being a Chorister: A Phenomenological Study. Doctoral Dissertation, School of Education, Durham University.Google Scholar
GUEST, G. (1998). A Guest at Cambridge. Brewster, MA: Paraclete Press.Google Scholar
HALLAM, S. (1998). Instrumental Teaching: A Practical Guide to Better Teaching and Learning. Oxford: Heinemann.Google Scholar
HALLAM, S. (2001). The development of expertise in young Musicians’ strategy use, knowledge acquisition and individual diversity. Music Education Research, 3(1), 723.CrossRefGoogle Scholar
HOWARD, D. M., BARLOW, C., SZYMANSKI, J. & WELCH, G. F. (2001). Vocal production and listener perception of trained English cathedral girl and boy choristers. Bulletin of the Council for Research in Music Education, 147, 8186.Google Scholar
HOWARD, D. M., SZYMANSKI, J. & WELCH, G. F. (2002). Listener perception of English Cathedral girl and boy choristers. Music Perception (Fall): An Interdisciplinary Journal. University of California Press, 20(1), 3549.CrossRefGoogle Scholar
HOWARD, D. M., WELCH, G. F., HIMONIDES, E. & OWENS, M. (2019). The developing Female chorister voice: Case-study evidence of musical development. Journal of Voice, 33(4), 516525.CrossRefGoogle ScholarPubMed
MOULD, A. (2007). The English Chorister: A History. London: Hambleton Continuum.Google Scholar
RAO, D. & WILLCOCKS, D. (1985). Training young voices: An interview with Sir David Willcocks. The Choral Journal, 26(3), 2933.Google Scholar
SAUNDERS, J., PAPAGEORGI, I., HIMONIDES, E., VRAKA, M., RINTA, T. & WELCH, G. (2012). The Chorister Outreach Programme of the Choir Schools Association: A Research Evaluation (2008–2011). International Music Education Research Centre.Google Scholar
SERGEANT, D. C. & WELCH, G. F. (1997). Perceived similarities and differences in the singing of trained children’s choirs. Choir Schools Today, 11, 910.Google Scholar
WELCH, G. F., HIMONIDES, E., SAUNDERS, J., PAPAGEORGI, I., RINTA, T., PRETI, C., STEWART, C., LANI, J. & HILL, J. (2011). Researching the first year of the National Singing Programme Sing Up in England: An initial impact evaluation. Psychomusicology: Music, Mind and Brain, 21(1–2), 83.CrossRefGoogle Scholar
WILLIAMS, J. (2007). Letter to the editor. Journal of Singing, 64(Haywood), 910.Google Scholar
WILLIAMS, J. (2010). The implications of intensive singing training on the vocal health and development of boy choristers in an English cathedral choir. Doctoral Dissertation, Institute of Education, University of London.Google Scholar
WILLIAMS, J., WELCH, G. & HOWARD, D. M. (2005). An exploratory baseline study of boy chorister vocal behaviour and development in an intensive professional context. Logopedics Phoniatrics Vocology, 30(3–4), 158162.CrossRefGoogle Scholar