Catholicism and Rhetoric in Southwell, Crashaw, Dryden and Pope

Extract

The 150 years separating Southwell from Pope saw great changes in English Catholicism. In the later sixteenth century the Catholic faith was still native English, and the older poetical tradition of lyric religious meditation, which Southwell found flourishing about him when he returned from Rome in July 1586, blended readily in his own poetry with the newly passionate and ingenious devotion of the Counter-Reformation. The enterprise of reviving the Faith in England was vigorous and young, and the blood of the martyrs flowing in the very streets of London as once it had flowed in the streets of Rome must have made of the Church in its most deeply traditional and heroic aspect a present English reality. The passionate ingenuity of the Counter-Reformation; the plainness of the English religious and gnomic tradition; the edge of sober reality and depth given to meditation, even curious meditation, on the sufferings of Christ and the saints by the virtual certainty of the gallows; together with a rhetorical hold on the Faith deeper and older than the Counter-Reformation devotion he found in Italy, to be found rather together with the lives of the early martyrs in his breviary: all combined in Southwell's best poetry in a taut and assured style, full of balanced tensions. But as the years passed, England was not converted and the time of martyrdom ended. Where bloody persecution failed, exile and neglect began to succeed. A sense of the Church as thoroughly English and as in the fervour of its first centuries gradually disappeared. English Catholic devotion in the poetry of Crashaw became contemporary and sometimes uncontrollably ingenious and Continental, with martyrdom a metaphor, though exile a reality. In Dryden's poetry, the Church also appeared in very much its contemporary aspect, though expressing itself now not so much in devotional as in apologetic terms. Dryden's conversion was clearly genuine and his apologia sincere, but he had in his poetry an oddly restricted hold on the Faith, speaking of the Church's relation to other Christian sects often in political or social language. Dryden suffered willingly, however, for his belief, though not exile or martyrdom; whereas the suspicion with Pope is always that, though he remained a Catholic, his Catholicism was a social disability to be borne in much the same way as his physical disability. In the poetry of Pope, Catholicism is a remnant, contributing rather little to an assurance about final realities as impressive perhaps in its way as Southwell's.