An Analysis of Newspeak

Extract

The recent publication of his Collected Essays has renewed interest in Orwell’s position as a writer, and especially in his attitude to the artist’s commitments in the world. The writer’s problem, in a time of conflict, according to Orwell, was that ‘one half of him, which in a sense is the whole of him, can act as resolutely, even as violently if need be, as anyone else. But his writings, in so far as they have any value, will always be the product of the saner self that stands aside, records the things that are done and admits their necessity, but refuses to be deceived as to their true nature’. For Raymond Williams (e.g. in The Observer, May 21 1961) this separation, while understandable, is not necessary: ‘it is part of the dissociation between the individual and society which is our deepest crisis’. Elsewhere he points out that any defence of liberty by an exile, as Orwell chose to be, standing apart from society, is bound to be ambiguous because ‘while the rights in question may be called individual, the condition of their guarantee is inevitably social... to belong to a community is to be part of a whole, and, necessarily, to accept, while helping to define its disciplines’. While I agree with this view, I want to argue in this article that the source of Orwell’s dilemma, and indeed of the dissociation in general, has an important but hitherto undiscussed, philosophical aspect—to put it crudely, Cartesian dualism—which manifests itself in Orwell’s treatment of two related problems: the problem of language and the problem of orthodoxy.