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Implicated Reading: Medoruma Shun's Me no oku no mori and the Ethics of Narrative Transmission
Published online by Cambridge University Press: 14 March 2025
Abstract
This paper analyzes the animating potential of narrative in Medoruma Shun's Me no oku no mori (In the Woods of Memory, 2009). The novel's narrative structure embodies both the constant circulation of traumatic memories, particularly surrounding sexual violence, and the inevitable gaps in such memories. The text draws the reader in turn into its spiral of telling and re-telling, shifting the burden of narrating history onto countless new witnesses. Moreover, the act of narrating this violent past necessarily entails the acknowledgment of one's own complicity in its violent reverberations in the present.
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- This is an Open Access article, distributed under the terms of the Creative Commons Attribution-NonCommercial-No Derivatives licence (http://creativecommons.org/licenses/by-nc-nd/4.0/), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is unaltered and is properly cited. The written permission of Cambridge University Press must be obtained for commercial re-use or in order to create a derivative work.
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