Hostname: page-component-cd9895bd7-jkksz Total loading time: 0 Render date: 2024-12-26T07:59:17.040Z Has data issue: false hasContentIssue false

Not just a collection of old books: Making the most of donations at the Paul Mellon Centre Library

Published online by Cambridge University Press:  10 July 2020

Emma Floyd*
Affiliation:
Librarian, Paul Mellon Centre for Studies in British Art, 16 Bedford Square, London, WC1B 3JA, UK Email: [email protected]
Get access

Abstract

This article shows how large donations of books have transformed the library of the Paul Mellon Centre for Studies in British Art in recent years. Not only have they augmented the collection but they have enhanced the Centre's wider outreach effort and its ability to engage with new audiences.

Type
Research Article
Copyright
Copyright © ARLIS, 2020

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. PMC website accessed 3rd April 2020

2. See: A ‘collection of broken dreams’? Making the Paul Mellon Centre's photo archive accessible in 2019 and beyond, ALJ 45/1 2020

3. An artist is seen to be established once they have either: 1. held a monographic exhibition at a national or regional publicly-funded museum or gallery; 2. won a significant prize such as the Turner Prize; 3. had a monograph published about them. They would normally be expected to be over 40 years old before being considered for inclusion.

5. PMC notes. London: Paul Mellon Centre for Studies in British Art, 2015-