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Defending the aesthetic: the conservation of an artists’ book

Published online by Cambridge University Press:  06 June 2016

Erica Foden-Lenahan*
Affiliation:
Book Library, Courtauld Institute of Art, Somerset House, Strand, London WC2R 0RN, UK
Gustavo Grandal Montero*
Affiliation:
Chelsea College of Art & Design/, Camberwell College of Arts, University of the Arts London, 16 John Islip Street, London SW1P 4JU, UK
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Abstract

Modern and contemporary books, easily replaceable in the internet age, are weeded from collections and disposed of because of their poor quality materials and construction. For an art library, where obsolescence is rarely an issue, the 20th- and 21st-century book can be a problem. Rare and seminal works in our collections are crumbling because they are acidic or perhaps they just cannot withstand the handling (and photocopying). We have become alert to the conservation of books from the hand-press period, but do not always know what to do with recent publications, or we cannot afford to undertake the measures necessary. As the artist’s book as an art form reaches its 50th birthday, we highlight the conservation of one such volume, in hopes of opening up discussion about the care of our contemporary treasures.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 2013

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