Hostname: page-component-586b7cd67f-r5fsc Total loading time: 0 Render date: 2024-11-27T18:15:00.234Z Has data issue: false hasContentIssue false

Viewpoint

Published online by Cambridge University Press:  06 June 2016

Ruth Kamen*
Affiliation:
Royal Institute of British Architects, 66 Portland Place London W1B 1AD, UK
*
E-mail: [email protected] RIBA web site: http://www.architecture.com Library web site: http://www.riba-library.com
Get access

Abstract

Architecture, the focus of this issue, is held to be the ‘mother of the arts’. It is also referred to as the ‘queen of the decorative arts’. But in the family of art libraries and art librarianship, architecture is often a neglected stepchild. So I welcome the invitation extended in this issue of the Art Libraries Journal to the ‘Cinderella of the arts’, and hope that her appearance at the art ball will extend beyond midnight.

Over the past quarter of a century or so that I have been an architectural librarian, I have sometimes wondered why architecture libraries are isolated from their sister libraries in the world of art and design, and why architecture libraries and librarians feel the need to separate themselves from their art and design siblings. Is it because the art community is uncomfortable with architecture? If so, is this because architecture is outside the mainstream of art education or art history teaching? Or is it because architecture libraries are generally part of professional institutes, schools of architecture or architectural firms, whose concerns and affiliations may have more in common with the engineering sciences (civil, structural, materials, environmental), the building and construction industries, urban and landscape design, town and country planning, and estate, project and business management, than with the more scholarly and historical focus of art libraries in museums and universities?

Type
Research Article
Copyright
Copyright © The Art Libraries Society 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)