Hostname: page-component-cd9895bd7-dk4vv Total loading time: 0 Render date: 2024-12-25T20:47:31.280Z Has data issue: false hasContentIssue false
  • English
  • Français

Printed ephemera and design history

Published online by Cambridge University Press:  06 June 2016

Graham Hudson
Graham Hudson*
Affiliation:
Canterbury College of Art
Get access

Abstract

Besides being visually interesting ephemera has a vital role to play in the teaching of the history of design and printing; indeed, many aspects cannot be taught without reference to it. Nor can the subject be covered in isolation, for the development of ephemeral printing is part of the greater whole within which are subsumed the history of book design and typefaces and broader cultural and historical concepts.

Type
Research Article
Information
Art Libraries Journal , Volume 6 , Issue 1 , Spring 1981 , pp. 20 - 32
Copyright
Copyright © The Art Libraries Society 1981

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

(1) Heskett, John. The role of design history in design courses. Design History Society Newsletter, no. 10, February 1981, pp. 35–40.Google Scholar
(2) Quoted in: Ridler, Vivian. Artistic printing: a search for principles. Alphabet & Image, no. 6, January 1948, pp. 4–17.Google Scholar
(3) ‘J.T.’. Some remarks on posters. Printing World, vol. 1, no. 7, July 1891, pp.215–6.Google Scholar
(4) Watson Williams, W. Advance! Commercial art! An artist’s view. Commercial Art, April 1923, pp. 110–11.Google Scholar