Hostname: page-component-78c5997874-m6dg7 Total loading time: 0 Render date: 2024-11-02T23:52:42.955Z Has data issue: false hasContentIssue false
  • English
  • Français

Guidelines for contributors

Published online by Cambridge University Press:  06 June 2016

Get access

Abstract

An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'
Type
Other
Information
Art Libraries Journal , Volume 36 , Special Issue 1: Special issue: The architecture and space planning of art libraries , 2011 , pp. 45 - 47
Copyright
Copyright © The Art Libraries Society 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

References

For references in the text, insert a superscript numeral (not in parentheses) immediately following the relevant passage, word or phrase, and after any punctuation.

List citations, notes, etc., under the heading ‘References’ (14 point type) at the end of the article, followed by a rule, and in a numbered sequence in which the numbers are not bracketed but are followed by a stop. (See examples below.)

Contributors should consult The Chicago manual of style, 16th ed. for the preferred format for citations. A few examples are:

Books

1. Draper, Peter, ed., Reassessing Nikolaus Pevsner (Aldershot, Eng.: Ashgate, 2004), 13.Google Scholar
2. Bonython, Elizabeth and Burton, Anthony, The great exhibitor: the life and work of Henry Cole (London: V&A Publications, 2003), 87.Google Scholar
1. Mieli, Anna and D’Ambrosio, Margaret, ‘IRIS: not just another flower in Florence, but a precious resource for art history research,’ Art libraries journal 30, no.4 (2005): 26–31.Google Scholar
2. Russell, Francis, ‘James Christie, PJ. Tassaert and the negotiations for the Orleans collection,’ Christie’s international magazine (May 1990): 8–10.Google Scholar
1. Extra art: a survey of artists’ ephemera, 1960-1999 (Santa Monica, Calif.: Smart Art Press, 2001). Catalogue of an exhibition curated by Steven Leiber at California College of Arts and Crafts, San Francisco, 12 October-8 December 2001.Google Scholar
1. Chambers, Edward Anthony, ‘The emergence and development of black visual arts activity in England between 1981 and 1986’ (PhD diss., University of London, 1998).Google Scholar
1. WAAND: Women Artists Archives National Directory at Rutgers, http://waand.rutgers.edu/.Google Scholar
2. Holly, Michael Ann, ‘Art theory,’ in The Johns Hopkins guide to literary theory and criticism, ed. Groden, Michael, Kreiswith, Martin and Szeman, Imre, 2nd ed. (Baltimore: Johns Hopkins University Press, 2005), http://litguide.press.jhu.edu/.Google Scholar