Hostname: page-component-cd9895bd7-q99xh Total loading time: 0 Render date: 2024-12-25T19:03:37.840Z Has data issue: false hasContentIssue false

The Chinese Collection of the Freer Gallery of Art | Arthur M. Sackler Gallery Library

Published online by Cambridge University Press:  06 June 2016

Yue Shu*
Affiliation:
Freer Gallery of Art | Arthur M. Sackler Gallery Library, Smithsonian Institution Libraries, 1050 Independence Ave., S.W., Washington, D.C. 20560, USA
Reiko Yoshimura*
Affiliation:
Freer Gallery of Art | Arthur M. Sackler Gallery Library, Smithsonian Institution Libraries, 1050 Independence Ave., S.W., Washington, D.C. 20560, USA
Get access

Abstract

The library of the Freer Gallery of Art | Arthur M. Sackler Gallery is considered one of the finest East Asian art research collections in the United States. The development and progress of the library’s Chinese Collection has mirrored the historical changes in the field of Chinese art studies in the last one hundred years. Today, the library collection has more than 90,000 volumes, including 17,437 Chinese language monographs and 836 serials in over 25,000 volumes. In a landscape of changing scholarship, technology and user demands, the library is balancing the use of printed materials and digital resources and collaborating with other libraries to continue to meet the needs of curators, researchers and visitors.

Type
Research Article
Copyright
Copyright © The Art Libraries Society 2014

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

1. Charles Lang Freer, Letter to Smithsonian Secretary Charles Walcott, September 9, 1919 in Charles Lang Freer Papers, The Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Smithsonian Institution, Washington, D.C., Gift of the Estate of Charles Lang Freer.Google Scholar
2. Charles Lang Freer, Letter to John E. Lodge letter, June 4,1919 in Charles Lang Freer Papers, Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Smithsonian Institution, Washington, D.C., Gift of the Estate of Charles Lang Freer.Google Scholar
3. Beach, Milo C., ‘Foreword’, in: Lawton, Thomas and Merrill, Linda, Freer: a legacy of art (Washington, D.C.: Freer Gallery of Art, Smithsonian Institution, 1993), 8.Google Scholar
4. Tomlinson, Helen N., ‘Charles Lang Freer: pioneer collector of Oriental art’ (PhD Dissertation, Case Western Reserve University, 1979), 533.Google Scholar
5. Lawton, Thomas, ‘China’s artistic legacy,’ Apollo, 68, no. 258 (Aug. 1983), 127135.Google Scholar
6. Report on the national gallery of Art including the Freer Gallery of Art for the year ended June 30, 1926 (Washington, DC: United States Government Printing Office, 1926), 61.Google Scholar
7. Report on the national collection of fine arts including the Freer Gallery of Art for the year ended June 30, 1953 (Washington, DC: United States Government Printing Office, 1954), 53.Google Scholar
8. Report on the national collection of fine arts including the Freer Gallery of Art for the year ended June 30, 1956 (Wasliington, DC: United States Government Printing Office, 1957), 92.Google Scholar
9. Smithsonian Year 1987: annual report of the Smithsonian Institution for the year ended September 30, 1987 (Wasliington, DC: Smithsonian Institution Press, 1988), 105.Google Scholar
11. Wen yuan ge si ku quan shu dian zi ban (Hong Kong: Zhong wen da xue chu ban she, 1999-2000).Google Scholar
12. Qing gong ci qi dang an quan ji (Beijing: Zhongguo hua bao chu ban she, 2008).Google Scholar
13. Qing gong net wufu Zao ban chu dang an zong hui (Beijing: Ren min chu ban she, 2005).Google Scholar
14. Yuanji, Pang, Xu zhai ming tao lu (S.I.: s.n., 1940?).Google Scholar
15. Smithsonian Year 1987: annual report of the Smithsonian Institution for the year ended September 30, 1987 (Washington, DC: Smithsonian Institution Press, 1988), 105.Google Scholar
16. Bartholomew, Theres Tse and Yee, Lai Suk, ‘On Chen Mingyuan,’ in: Themes and variations: the Zisha pottery of Chen Mingyuan (Hong Kong: Shanghai Museum and the Art Museum, the Chinese University of Hong Kong, 1988), 69.Google Scholar
17. Burnett, Katharine P., ‘The Elegant Gatliering: Art, Politics, and Collecting in China’ [video] (San Francisco: Asia Art of San Francisco, 2006), http://www.youtube.com/watch?v=VOBbkQsYozs&list=PL4DD7B39B938355D3 Google Scholar
18. Pope, John A., ‘Preface’, in: Freer Gallery of Art (Tokyo: Kodansha, 1971)Google Scholar
19. ‘Chinamania: Whistler and the Victorian craze for blue-and-white’ (Washington, D.C.: Smithsonian Institution, 2010), http://www.si.eduÆxHbitions/Details/Chinamania-Whisder-and-the-Victorian-Craze-for-Blue-and-White-908 Google Scholar
20. SirThompson, Henry, A catalogue of blue and white Nankin porcehin forming the collection of Sir Henry Thompson (London: Ellis and White, 1878).Google Scholar
21. Wang, Yiyou, ‘The Loouvre from China: a critical study of C. T. Loo and the framing of Chinese art in the United States, 1915-1950’ (PhD diss., Ohio University, 2007).Google Scholar
22. Qi, An, Mo yuan hui guan (Beijing: Han wen zhai, 1914).Google Scholar
23. Cunli, Zhu, Tie wang shan hu (China: Nian Xiyao Cheng jian tang, 1728).Google Scholar
24. Pet wen zhai shu hua pu (Yangzhou: Yangzhou shi ju, 1708).Google Scholar
25. Wu Dazheng, Guyu tu kao (Shanghai: Tong wen shu ju, 1889).Google Scholar
26. Report on the national gallery of art including the Freer Gallery of Art for the year ended June 30, 1928 (Washington, D.C.: United States Government Printing Office, 1929), 64.Google Scholar
28. Min Xu, email message to Yue Shu, July 19, 2013.Google Scholar