Performance and style in the work of Olgyay and Olgyay

Extract

The sun control device has to be on the outside of the building, an element of the facade, an element of architecture. And because this device is so important a part of our open architecture, it may develop into as characteristic a form as the Doric column.

Victor Olgyay (1910–1970), a Hungarian architect who came to the United States in 1947 with his twin brother and collaborator, Aladár (1910–1963), is best known today as the author of Design with Climate: Bioclimatic Approach to Architectural Regionalism (1963), an important book often referenced in the environmental building design field [1]. As leaders in research in bioclimatic architecture from the early 1950s to the late 1960s, the Olgyay brothers could be considered the ‘fathers’ of contemporary environmental building design. Their research and publications laid the foundation for much of the building simulation software in use today. Other than the difference between working on graph paper and using computer-generated graphics, there is little difference between Autodesk's Ecotect Analysis (simulation and building energy analysis software) and the Olgyays' techniques for the analysis of environmental factors and graphical representation of climate. The manner in which the Olgyays established connections between building design and the science of climate laid the foundation for the development of environmental simulation, one of contemporary architecture's leading methods of form generation. Victor Olgyay's teaching, however, represents another kind of thinking, a broader concern for architecture, beyond energy performance. ‘The primary task of architecture,’ Olgyay announced to his students, ‘is to act in man's favour; to interpose itself between man and his natural surroundings in order to remove the environmental load from his shoulders.