Hostname: page-component-cd9895bd7-gxg78 Total loading time: 0 Render date: 2024-12-28T09:58:33.391Z Has data issue: false hasContentIssue false
  • English
  • Français

Murder at the Modern

Published online by Cambridge University Press:  19 August 2008

James Marston Fitch
James Marston Fitch
Affiliation:
Beyer Blinder Belle41 East 11 StreetNew YorkNew York 10003, USA
Get access Rights & Permissions [Opens in a new window]

Abstract

This paper deals with a strange and isolated series of events at New York's Museum of Modern Art between 1966 and 1977, orchestrated by the Director of the Department of Architecture, the late Arthur Drexler. The events, which consisted of a series of books, exhibitions and catalogues, were all aimed at discrediting the Museum's own International Style and replacing it with Drexler's own special brand of eclectic post-modernism.

Type
History
Information
arq: Architectural Research Quarterly , Volume 2 , Issue 2 , Winter 1996 , pp. 60 - 71
Copyright
Copyright © Cambridge University Press 1996

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Drexler, A. (1960). Ludwig Mies van der Rohe, George Braziller, New York.Google Scholar
Drexler, A. (1966). Foreword to Venturi, R.Complexity and Contradiction in Architecture, The Museum of Modern Art, New York.Google Scholar
Drexler, A., ed. (1975). The Architecture of the Ecole Des Beaux-Arts: An exhibition presented at The Museum of Modern Art, New York, October 29, 1975-January 4, 1976, The Museum of Modern Art, New York.Google Scholar
Drexler, A., ed. (1977). The Architecture of the Beaux-Arts, The Museum of Modern Art, MIT Press, Cambridge, Mass.Google Scholar
Drexler, A. (1979). Transformations in Modern Architecture, The Museum of Modern Art, New York.Google Scholar
Fitch, J. M. (1972). American Building 2: The Environmental Forces that Shape It, 2nd edition, Houghton Mifflin, Boston.Google Scholar
Hitchcock, H.-R. and Johnson, P. (1932). The International Style, W. W. Norton, New York.Google Scholar
Johnson, P. (1947). Mies Van der Rohe, The Museum of Modern Art, New York.Google Scholar
Johnson, P. (1960). Introduction to Built in the USA: Post-war Architecture, George Braziller, New York.Google Scholar
Scully, P. (1961). Modern Architecture: The Architecture of Democracy, George Braziller, New York.Google Scholar
Scully, V. (1966). Introduction to Venturi R. Complexity and Contradiction in Architecture, The Museum of Modern Art, New York.Google Scholar
Scully, V. (1977). Introduction to Venturi R. Revised edition. Complexity and Contradiction in Architecture, The Museum of Modern Art, New York.Google Scholar
Venturi, R. (1966). Complexity and Contradiction in Architecture, The Museum of Modern Art, New York.Google Scholar
Venturi, R., Scott Brown, D. and Izenour, S. (1972). Learning from Vegas: The Forgotten Symbolism of Architectural Form, revised edition, Cambridge, Mass: MIT Press, Cambridge, Mass.Google Scholar