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Published online by Cambridge University Press: 14 December 2021
The purpose of this article is to celebrate the exquisite moments when enclosed space at Hagia Sophia attains an illusory plastic state. The subject is the secularised amalgamation of the Byzantine cathedral of Hagia Sophia and the Turkish mosque of Ayasofya, prior to the restoration of the mosque in 2020. The article is intended as a visual study of intrinsic visual qualities, without the use of seductive imagery.